01776nam 2200433 450 00001531220050718115600.00-387-97155-620030724d1990----km-y0itay0103----baengUSFluid dynamics of viscoelastic liquidsDaniel D. JosephNew York [etc.]Springerc1990XVII, 755 p.ill.25 cm.Applied mathematical sciences842001Applied mathematical sciencesLiquidiEquazioni alle derivate parziali532.0533(21. ed.)Meccanica dei fluidi. Meccanica dei liquidi. Viscosità e attrito35-02Partial differential equations. Research exposition35JxxPartial differential equations of elliptic type35J60Partial differential equations of elliptic type. Nonlinear PDE of elliptic type35KxxPartial differential equations. Parabolic equations and systems35K55Partial differential equations. Parabolic equations and systems. Nonlinear PDE of parabolic typeJoseph,Daniel D.15382ITUniversità della Basilicata - B.I.A.RICAunimarc000015312Fluid dynamics of viscoelastic liquids83418UNIBASMONSCISCIENZEEXT0030120030724BAS01164820050601BAS011755batch0120050718BAS01105220050718BAS01111120050718BAS01114120050718BAS011156BAS01BAS01BOOKBASA2Polo Tecnico-ScientificoGENCollezione generaleMAT69693S696932003072451Riservati03458nam 22005295 450 991048301230332120240724122640.09783030164966303016496910.1007/978-3-030-16496-6(CKB)4100000008280433(MiAaPQ)EBC5779969(DE-He213)978-3-030-16496-6(Perlego)3494823(EXLCZ)99410000000828043320190521d2019 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierAnamorphic Authorship in Canonical Film Adaptation A Case Study of Shakespearean Films /by Robert Geal1st ed. 2019.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2019.1 online resource (250 pages) illustrationsPalgrave Studies in Adaptation and Visual Culture,2634-63039783030164959 3030164950 Includes bibliographical references and index.1. Introduction -- Part I: From Barthesian and Bakhtinian to Benvenistene Adaptation Studies: Theories of Film Adaptation -- 2. Dialogism and the Radical Text -- 3. Poststructuralism and the Radical Critic -- 4. The Dead Author and the Concealed Author -- Part II: The Drama of Authorship: A Taxonomy of Anamorphic Authorship -- 5. 'Fainomaic' Adaptation from the Verbal to the Visual -- 6. 'Állagmic' Adaptation from Shakespearean to Non-(/Less-)Shakespearean Settings -- 7. The Drama of Foreknowledge -- 8. The Drama of the Diegetic Author -- 9. Conclusion.This book develops a new approach for the study of films adapted from canonical 'originals' such as Shakespeare's plays. Departing from the current consensus that adaptation is a heightened example of how all texts inform and are informed by other texts, this book instead argues that film adaptations of canonical works extend cinema's inherent mystification and concealment of its own artifice. Film adaptation consistently manipulates and obfuscates its traces of 'original' authorial enunciation, and oscillates between overtly authored articulation and seemingly un-authored unfolding. To analyse this process, the book moves from a dialogic to a psychoanalytic poststructuralist account of film adaptations of Shakespeare's plays. The differences between these rival approaches to adaptation are explored in depth in the first part of the book, while the second part constructs a taxonomy of the various ways in which authorial signs are simultaneously foregrounded and concealed in adaptation's anamorphic drama of authorship. .Palgrave Studies in Adaptation and Visual Culture,2634-6303Adaptation (Literary, artistic, etc.)European literatureRenaissance, 1450-1600Adaptation StudiesEarly Modern and Renaissance LiteratureAdaptation (Literary, artistic, etc.)European literatureAdaptation Studies.Early Modern and Renaissance Literature.791.436791.436Geal Robertauthttp://id.loc.gov/vocabulary/relators/aut1225699BOOK9910483012303321Anamorphic Authorship in Canonical Film Adaptation2845798UNINA