Machine generated contents note: RICHARD H. MILLINGTON 9 -- Where Is Hawthorne's Rome? -- The Marble Faun and the Cultural Space of Middle-Class Leisure -- ROBERT K. MARTIN 28 -- "An Awful Freedom": -- Hawthorne and the Anxieties of the Carnival -- KRISTIE HAMILTON 41 -- Fauns and Mohicans: -- Narratives of Extinction and Hawthorne's Aesthetic of Modernity -- NANCY PROCTOR 60 -- The Purloined Studio: -- The Woman Sculptor as Phallic Ghost in Hawthorne's The Marble Faun -- JOHN CARLOS ROWE 73 -- Hawthorne's Ghost in James's Italy: -- Sculptural Form, Romantic Narrative, and the Function of Sexuality -- in The Marble Faun, "Adina," and William Wetmore Story and His Friends -- LELAND S. PERSON 107 -- Falling into Heterosexuality: -- Sculpting Male Bodies in The Marble Faun and Roderick Hudson -- PRISCILLA L. WALTON 140 -- Roman Springs and Roman Fevers: -- James, Gender, and Transnational Dis-ease -- ADAM PARKES 159 -- Henry James's Italian Hours and the "Ruskinian Contagion" -- BRIGITTE BAILEY I75 -- Fuller, Hawthorne, and Imagining Urban Spaces in Rome -- SUSAN M. GRIFFIN 191 -- The Black Robe of Romance: -- Hawthorne's Shadow and Howells's Italian Priest -- ROBERT MILDER 206 -- "The Connecting Link of Centuries": -- Melville, Rome, and the Mediterranean, 1 8S , 6 8S 7 -- ROBERT S. LEVINE 226 -- Road to Africa: Frederick Douglass's Rome. |