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1. |
Record Nr. |
UNISA990005890140203316 |
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Autore |
FERRARI, Giuseppe Michele |
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Titolo |
Il R. liceo V. E. di Napoli all'Esposizione universale di Parigi dell'anno 1900 : la cattedra di filosofia / G. M. Ferrari |
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Pubbl/distr/stampa |
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Napoli : Stab. tip. Pierro e Veraldi, 1899 |
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Descrizione fisica |
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CLXXXIX, 144 p., [7] carte di tav., 1 carta di tav. ripieg. : ill. ; 20 cm |
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Disciplina |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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2. |
Record Nr. |
UNISOBE600200009004 |
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Titolo |
George Eliot : The mill on the floss / Notes by Grahame Smith |
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Pubbl/distr/stampa |
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Descrizione fisica |
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Collana |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910524878003321 |
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Autore |
Mulholland James <1975-> |
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Titolo |
Sounding imperial : poetic voice and the politics of empire, 1730-1820 / / James Mulholland |
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Pubbl/distr/stampa |
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Baltimore, : Johns Hopkins University Press, 2012 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (232 p.) |
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Disciplina |
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Soggetti |
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English poetry - 18th century - History and criticism |
English poetry - 19th century - History and criticism |
Imperialism in literature |
Political poetry - History and criticism |
Politics and literature - History - 18th century |
Politics and literature - History - 19th century |
Politics in literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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""Contents""; ""List of Illustrations""; ""Acknowledgments""; ""Introduction: The Global Aesthetics of Poetic Voice""; ""1. Thomas Gray, Virtual Authorship, and the Performed Voice""; ""Authoring Gray�s “Elegy�""; ""Performing Gray�s “Elegy�""; ""Impersonating the Bard?""; ""Wildness and Welsh Prosody""; ""Quotation Marks""; ""(Un)Editing the Bards""; ""2. Wales, Public Poetry, and the Politics of Collective Voice""; ""Bardic Nationalism Reconsidered""; ""The Aboriginal Aesthetics of Iolo Morganwg""; ""Listening to the Welsh Past""; ""Dead Voices Reanimated"" |
""3. Scotland and the Invention of Voice""""Primitive Passions, Poetry Addiction, History""; ""Ambiguous Speech""; ""Writing, Re-performance, and Restored Voices""; ""Intimate Hailing""; ""Ossian�s Afterlife""; ""4. Impersonating Native Voices in Anglo-Indian Poetry""; ""William Jones and the Fountainhead of Verse""; ""Making the Subaltern Speak""; ""Rewriting Gray�s “The Bard� in India""; ""Dislocated Orientalism""; ""Coda: Reading the Archive of the Inauthentic""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; |
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""G""; ""H""; ""I""; ""J""; ""K"" |
""L""""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""V""; ""W""; ""Z"" |
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Sommario/riassunto |
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Sounding Imperial offers a more nuanced sense of poetry's unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive. |
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