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1. |
Record Nr. |
UNISA996390774303316 |
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Autore |
Norwood Robert, Captain |
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Titolo |
The case and trial of Capt. Robert Norwood, now prisoner in New-gate [[electronic resource]] : truely and impartially stated, and published for satisfaction of my allied friends, and very many others desirous thereof. Together with some observations upon the law and its professors, very worthy a most serious consideration. Both which, (with a brief answer, by way of postscript, to a secret calumny charged upon me) are here presented to the view and judgement of the whole nation: which, if duly considered, with the shrot [sic] discourse annexed, will clearly discover where England's death and life lies |
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Pubbl/distr/stampa |
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Descrizione fisica |
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Soggetti |
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Trials (Heresy) - England |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Signed at end: Robert Norwood. |
Caption title. |
Imprint from Wing. |
Item at 1304:15 identified as Wing C851; number cancelled in Wing (2nd ed.). |
Reproductions of the originals in the Harvard University Library and the Henry E. Huntington Library and Art Gallery. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNISANNIOSBL0495483 |
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Titolo |
Disarmo : tre anni di negoziati : 1955-1958 |
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Pubbl/distr/stampa |
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Roma, : United States information service, 1958 |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Disarmo - 1955-1958 |
Disarmo - Conferenze internazionali |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910972720603321 |
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Autore |
Craig Maxine Leeds |
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Titolo |
Ain't I a beauty queen? : black women, beauty, and the politics of race / / Maxine Leeds Craig |
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Pubbl/distr/stampa |
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Oxford ; ; New York, : Oxford University Press, 2002 |
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ISBN |
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0-19-988167-7 |
1-60256-671-2 |
1-280-65529-1 |
0-19-515262-X |
0-19-803255-2 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (209 p.) |
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Disciplina |
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Soggetti |
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Beauty contests - Social aspects - United States |
African American women - Social conditions |
African Americans - Race identity |
Feminine beauty (Aesthetics) - United States |
Civil rights movements - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [187]-193) and index. |
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Nota di contenuto |
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CONTENTS; ONE: Ridicule and Celebration: Black Women as Symbols in the Rearticulation of Race; TWO: Contexts for the Emergence of "Black Is Beautiful,""; THREE: Ain't I a Beauty Queen? Representing the Ideal Black Woman; FOUR: Standing (in Heels) for My People; FIVE: How Black Became Popular: Social Movements and Racial Rearticulation; SIX: Yvonne's Wig: Gender and the Racialized Body; SEVEN: Pride and Shame: Black Women as Symbols of the "Middle Class,"; EIGHT: The Appearance of Unity; NINE: An Ongoing Dialogue; NOTES; SELECTED BIBLIOGRAPHY; INDEX; |
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Sommario/riassunto |
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Black is Beautiful! The words were the exuberant rallying cry of a generation of black women who threw away their straightening combs and adopted a proud new style they called the Afro. The Afro, as worn most famously by Angela Davis, became a veritable icon of the Sixties. Although the new beauty standards seemed to arise overnight, they actually had deep roots within black communities. Tracing her story to 1891, when a black newspaper launched a contest to find the most beautiful woman of the race, Maxine Leeds Craig documents how black women have negotiated the intersection of race, class, |
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