1.

Record Nr.

UNISA996390774303316

Autore

Norwood Robert, Captain

Titolo

The case and trial of Capt. Robert Norwood, now prisoner in New-gate [[electronic resource]] : truely and impartially stated, and published for satisfaction of my allied friends, and very many others desirous thereof. Together with some observations upon the law and its professors, very worthy a most serious consideration. Both which, (with a brief answer, by way of postscript, to a secret calumny charged upon me) are here presented to the view and judgement of the whole nation: which, if duly considered, with the shrot [sic] discourse annexed, will clearly discover where England's death and life lies

Pubbl/distr/stampa

[London, : s.n., 1652]

Descrizione fisica

24 p

Soggetti

Trials (Heresy) - England

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Signed at end: Robert Norwood.

Caption title.

Imprint from Wing.

Item at 1304:15 identified as Wing C851; number cancelled in Wing (2nd ed.).

Reproductions of the originals in the Harvard University Library and the Henry E. Huntington Library and Art Gallery.

Sommario/riassunto

eebo-0216



2.

Record Nr.

UNISANNIOSBL0495483

Titolo

Disarmo : tre anni di negoziati : 1955-1958

Pubbl/distr/stampa

Roma, : United States information service, 1958

Descrizione fisica

105 p. ; 19 cm.

Disciplina

341.73

Soggetti

Disarmo - 1955-1958

Disarmo - Conferenze internazionali

Collocazione

V         (S) 000                 722

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

3.

Record Nr.

UNINA9910972720603321

Autore

Craig Maxine Leeds

Titolo

Ain't I a beauty queen? : black women, beauty, and the politics of race / / Maxine Leeds Craig

Pubbl/distr/stampa

Oxford ; ; New York, : Oxford University Press, 2002

ISBN

0-19-988167-7

1-60256-671-2

1-280-65529-1

0-19-515262-X

0-19-803255-2

Edizione

[1st ed.]

Descrizione fisica

1 online resource (209 p.)

Disciplina

305.48/896/073

Soggetti

Beauty contests - Social aspects - United States

African American women - Social conditions

African Americans - Race identity

Feminine beauty (Aesthetics) - United States

Civil rights movements - United States

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia



Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. [187]-193) and index.

Nota di contenuto

CONTENTS; ONE: Ridicule and Celebration: Black Women as Symbols in the Rearticulation of Race; TWO: Contexts for the Emergence of "Black Is Beautiful,""; THREE: Ain't I a Beauty Queen? Representing the Ideal Black Woman; FOUR: Standing (in Heels) for My People; FIVE: How Black Became Popular: Social Movements and Racial Rearticulation; SIX: Yvonne's Wig: Gender and the Racialized Body; SEVEN: Pride and Shame: Black Women as Symbols of the "Middle Class,"; EIGHT: The Appearance of Unity; NINE: An Ongoing Dialogue; NOTES; SELECTED BIBLIOGRAPHY; INDEX;

Sommario/riassunto

Black is Beautiful! The words were the exuberant rallying cry of a generation of black women who threw away their straightening combs and adopted a proud new style they called the Afro. The Afro, as worn most famously by Angela Davis, became a veritable icon of the Sixties. Although the new beauty standards seemed to arise overnight, they actually had deep roots within black communities. Tracing her story to 1891, when a black newspaper launched a contest to find the most beautiful woman of the race, Maxine Leeds Craig documents how black women have negotiated the intersection of race, class,