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1. |
Record Nr. |
UNISALENTO991004166369707536 |
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Autore |
Barbina, Alfredo |
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Titolo |
Bibliografia della critica pirandelliana : 1889-1961 / Alfredo Barbina |
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Pubbl/distr/stampa |
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Firenze : Le Monnier, 1967 |
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Descrizione fisica |
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Collana |
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Pubblicazioni dell'Istituto di studi pirandelliani di Roma |
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Disciplina |
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Soggetti |
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Pirandello, Luigi - Critica - Bibliografia |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910961929103321 |
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Autore |
Sousa Ronald W |
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Titolo |
On Emerging from Hyper-Nation : Saramago's ""Historical"" Trilogy |
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Pubbl/distr/stampa |
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Purdue University Press, 2015 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (296 p.) |
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Collana |
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Purdue studies in romance literatures |
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Disciplina |
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Soggetti |
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Discourse analysis |
Historical fiction, Portuguese -- History and criticism |
Literature and history |
Saramago, Jose. -- Criticism and interpretation |
Historical fiction, Portuguese - History and criticism |
Romance Literatures |
Languages & Literatures |
Portuguese Literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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""Cover Page""; ""Halftitle Page""; ""Title Page""; ""Copyright Page""; ""Dedication""; ""Contents""; ""Acknowledgments""; ""Introduction: What�s in a Smile""; ""Chapter One: Portuguese Fascism and Literary Institutionality""; ""Chapter Two: Baltasar and Blimunda: The Readership Pact and the Release of Pleasure""; ""Chapter Three: Reading the Labyrinth: Text as Obstacle in The Year of the Death of Ricardo Reis""; ""Chapter Four: Mastering the Culture�s Tool Kit, or “Is the City Still Taken?�: The History of the Siege of Lisbon�s Self-Invited Reader"" |
""Conclusion: What Has the Smile Brought with It?""""Notes""; ""Works Cited and Consulted""; ""Index"" |
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Sommario/riassunto |
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On Emerging from Hyper-Nation represents Ronald W. Sousa's attempt to answer the question, "Why do I smile on reading one of Saramago's 'historical' novels?" Why that reaction of emotional release? To answer the "smile question" the book engages in a critical mode that could be described as "discourse analysis." It combines several critical strains and relies on basic concepts from Freudian and Lacanian psychoanalysis, Adlerian psychology, and contemporary cognitive psychology for their discourse-analytical value rather than as entrées into psychoanalytical reading per se. The introductory ch |
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