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1. |
Record Nr. |
UNINA9910457227503321 |
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Titolo |
The kaleidoscopic scholarship of Hadrianus Junius (1511-1575) [[electronic resource] ] : northern humanism at the dawn of the Dutch golden age / / edited by Dirk van Miert |
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Pubbl/distr/stampa |
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Leiden ; ; Boston, : Brill, 2011 |
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ISBN |
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1-283-16205-9 |
9786613162052 |
90-04-20920-4 |
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Descrizione fisica |
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1 online resource (332 p.) |
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Collana |
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Brill's studies in intellectual history, , 0920-8607 ; ; v. 199 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Humanists - Netherlands |
Philologists - Netherlands - Biography |
Scholars - Netherlands - Biography |
Humanism - Netherlands - History - 16th century |
Learning and scholarship - Netherlands - History - 16th century |
Electronic books. |
Netherlands Intellectual life 16th century Congresses |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Articles from a symposium honoring the 500th birthday of Hadrianus Junius, held July 1, 2011 in Hoorn, Netherlands. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Preliminary Material / D. Van Miert -- Introduction: Hadrianus Junius And Northern Dutch Humanism / Dirk Van Miert -- From Erasmus To Leiden: Hadrianus Junius And His Significance For The Development Of Humanism In Holland In The Sixteenth Century / Chris Heesakkers -- Hadrianus Junius’ Batavia And The Formation Of A Historiographical Canon In Holland / Coen Maas -- Context, Conception And Content Of Hadrianus Junius’ Batavia / Nico De Glas -- Hadrianus Junius’ Animadversa And His Methods Of Scholarship / Dirk Van Miert -- Junius’ Two Editions Of Martial’s Epigrammata / Chris Heesakkers -- A Man Of Eight Hearts: Hadrianus Junius And Sixteenth-Century Plurilinguism / Toon Van Hal -- Devices, Proverbs, Emblems: Hadrianus Junius’ Emblemata In The Light Of Erasmus’ Adagia / Ari Wesseling -- Emblematic Authorization – Lusus Emblematum: The Function Of |
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Junius’ Emblem Commentary And Early Commentaries On Alciato’s Emblematum Libellus / Karl Enenkel -- Epilogue: The Kaleidoscopic Scholarship Of Hadrianus Junius / Dirk Van Miert -- About The Contributors / D. Van Miert -- Index Of Proper Names And Place Names / D. Van Miert. |
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Sommario/riassunto |
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Hadrianus Junius (1511-1575) is generally regarded as the greatest humanist in the Northern Netherlands between the death of Erasmus in 1536 and the foundation of Leiden University in 1575. For both literary authors and professional philologists of the Golden Age, Junius remained the only significant point of reference on Dutch soil in the second and third quarters of the sixteenth century. As physician, lexicographer, historiographer, emblematist, poet, mycologist, chronologer and philologist, he was a prolific editor (and translator) of Latin and Greek texts. Yet we still know little about the kind of scholarship this stuttering polymath pursued, and about the connections between his numerous works. The chapters in this book analyse Junius’ most important works, some of which have never been studied before. All chapters contextualise his works in light of the tradition of humanism so familiar to Junius. |
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2. |
Record Nr. |
UNISALENTO991003588699707536 |
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Autore |
Speranza, Anna |
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Titolo |
Struttura delle piante in immagini : guida all'anatomia microscopica delle piante vascolari / Anna Speranza, Gian Lorenzo Calzoni |
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Pubbl/distr/stampa |
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Bologna : Zanichelli, 1996 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Altri autori (Persone) |
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Calzoni, Gian Lorenzoauthor |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910817685103321 |
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Autore |
Blix Göran Magnus <1971-> |
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Titolo |
From Paris to Pompeii : French romanticism and the cultural politics of archaeology / / Göran Blix |
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Pubbl/distr/stampa |
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Philadelphia : , : PENN, , [2009] |
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©2009 |
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ISBN |
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Descrizione fisica |
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1 online resource (319 p.) |
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Disciplina |
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Soggetti |
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Archaeology - France - History - 19th century |
Archaeology - History - 19th century |
Archaeology - Philosophy |
Archaeology and history |
Romanticism - France - History - 19th century |
Secularism - France - History - 19th century |
France Intellectual life 19th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references (pages [277]-297) and index. |
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Nota di contenuto |
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Front matter -- Contents -- Illustrations -- Introduction -- Chapter One: Neoclassical Pompeii -- Chapter Two: The Antiquarian Comes of Age -- Chapter Three: The Archaeological Turn -- Chapter Four: The Specular Past -- Chapter Five: Body Politics -- Chapter Six: Lost Worlds and the Archive -- Chapter Seven: The Uses of Archaeology -- Notes -- Bibliography -- Index -- Acknowledgments |
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Sommario/riassunto |
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In the early nineteenth century, as amateur archaeologists excavated Pompeii, Egypt, Assyria, and the first prehistoric sites, a myth arose of archaeology as a magical science capable of unearthing and reconstructing worlds thought to be irretrievably lost. This timely myth provided an urgent antidote to the French anxiety of amnesia that undermined faith in progress, and it armed writers from Chateaubriand and Hugo to Michelet and Renan with the intellectual tools needed to affirm the indestructible character of the past. From Paris to Pompeii reveals how the nascent science of archaeology lay at the core of the romantic experience of history and shaped the way historians, |
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novelists, artists, and the public at large sought to cope with the relentless change that relegated every new present to history. In post-revolutionary France, the widespread desire to claim that no being, city, culture, or language was ever definitively erased ran much deeper than mere nostalgic and reactionary impulses. Göran Blix contends that this desire was the cornerstone of the substitution of a weak secular form of immortality for the lost certainties of the Christian afterlife. Taking the iconic city of Pompeii as its central example, and ranging widely across French romantic culture, this book examines the formation of a modern archaeological gaze and analyzes its historical ontology, rhetoric of retrieval, and secular theology of memory, before turning to its broader political implications. |
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