1.

Record Nr.

UNISANNIOBVEE059519

Autore

Rodriguez, Alonso <1538-1616>

Titolo

Â2: ÂDell'Esercizio d'alcune virtù appartenenti a quegli, che fanno professione di servir Dio

Pubbl/distr/stampa

In Venezia : appresso Andrea Poletti, 1738

Descrizione fisica

[12], 387, [1] p. ; 4°

Collocazione

24F. ANTICO 8.L                     14(2)

Lingua di pubblicazione

Italiano

Latino

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Iniz. e fregi xilogr

Segn.: a⁶ A-3B⁴ 3C².

2.

Record Nr.

UNISALENTO991003459769707536

Autore

Simonetta, Alberto M.

Titolo

Ecologia / Alberto Simonetta

Pubbl/distr/stampa

Torino : Boringhieri, 1975

Descrizione fisica

314 p. : ill. ; 19 cm

Collana

Universale scientifica ; 111

Disciplina

577

Soggetti

Ecology

Ecology - Handbooks

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia



3.

Record Nr.

UNINA9910963704303321

Titolo

Redefining mainstream popular music / / edited by Sarah Baker, Andy Bennett, and Jodie Taylor

Pubbl/distr/stampa

New York, N.Y. ; ; Abingdon, Oxon : , : Routledge, , 2013

ISBN

9781136465307

1136465308

9780203127858

0203127854

9781299141223

1299141226

9781136465314

1136465316

Edizione

[1st ed.]

Descrizione fisica

xiv, 222 p. : ill

Altri autori (Persone)

BakerSarah <1977->

BennettAndy <1963->

TaylorJodie <1980->

Disciplina

781.6409

Soggetti

Popular music - History and criticism

Popular culture

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Mainstream as metaphor : imagining dominant culture / Alison Huber -- Teenybop and the extraordinary particularities of mainstream practice / Sarah Baker -- Mainstream mythology : the industrial organization of The Archies / Matt Stahl -- Lesbian musicalities, queer strains and celesbian pop : the poetics and polemics of women-loving women in mainstream popular music / Jodie Taylor -- The positioning of the mainstream in punk / Erik Hannerz -- Kill the static : temporality and change in the hip-hop mainstream (and its "other") / Murray Forman -- The contradictions of the mainstream : Australian views of grunge and commercial success / Catherine Strong -- Elvis goes Hollywood : authenticity, resistance, commodification and the mainstream / David Baker -- Walking in Memphis? : Elvis heritage



between fan fantasy and built environment / Mark Duffett -- "Following in mother's silent footsteps" : revisiting the construction of femininities in 1960s popular music / Sheila Whiteley -- Music from abroad : the internationalization of the US mainstream music market, 1940-90 / Timothy J. Dowd -- "Sounds like an official mix" : the mainstream aesthetics of mash-up production / Adrian Renzo -- Chasing an aesthetic tail : latent technological imperialism in mainstream production / Dennis Crowdy -- The hobbyist majority and the mainstream fringe : the pathways of independent music-making in Brisbane, Australia / Ian Rogers -- Off the beaten track : vernacular and the mainstream in New Zealand tramping club singsongs / Michael Brown -- Musical listening at work : mainstream musical listening practices in the office / Michael Walsh -- Cheesy listening : popular music and ironic listening practices / Andy Bennett.

Sommario/riassunto

Redefining Mainstream Popular Music is a collection of seventeen essays that critically examines the idea of the "mainstream" in and across a variety of popular music styles and contexts. Notions of what is popular vary across generations and cultures - what may have been considered alternative to one group may be perceived as mainstream to another. Incorporating a wide range of popular music texts, genres, scenes, practices and technologies from the United Kingdom, North America, Australia and New Zealand, the authors theoretically challenge and augment our understanding of how the mainstream is understood and functions in the overlapping worlds of popular music production, consumption and scholarship. Spanning the local and the global, the historic and contemporary, the iconic and the everyday, the book covers a broad range of genres, from punk to grunge to hip-hop, while also considering popular music through other mediums, including mash-ups and the music of everyday work life. Redefining Mainstream Popular Music provides readers with an innovative and nuanced perspective of what it means to be mainstream.