1.

Record Nr.

UNISALENTO991003446739707536

Autore

Blanc, Alain

Titolo

Langues en contact dans l'antiquité : acpects lexicaux : actes du colloque rouenlac 3. : Moint-Saint-Aignan, 6 février 1997 / sous la direction d'Alain Blanc et d'Alain Christol

Pubbl/distr/stampa

Nancy : Association pour la Diffusion de la Recherche sur l'Antiquité (A.D.R.A.), 1999

Descrizione fisica

167 p. ; 24 cm.

Collana

Etudes anciennes ; 19

Altri autori (Persone)

Christol, Alain

Soggetti

Linguistica comparata

Lingua di pubblicazione

Francese

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910300562503321

Autore

Hocking Darryl

Titolo

Communicating Creativity : The Discursive Facilitation of Creative Activity in Arts / / by Darryl Hocking

Pubbl/distr/stampa

London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2018

ISBN

9781137558046

1137558040

Edizione

[1st ed. 2018.]

Descrizione fisica

1 online resource (XII, 307 p. 12 illus., 1 illus. in color.)

Collana

Communicating in Professions and Organizations, , 2947-8138

Disciplina

401.41

Soggetti

Linguistics - Methodology

Design

Linguistics

Creative writing

Communication

Arts

Research Methods in Language and Linguistics

Creative Writing

Media and Communication



Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Chapter 1. Introduction -- Chapter 2. Investigating Communication in Creative Practice -- Chapter 3. Work -- Chapter 4. Agency -- Chapter 5. Motivation -- Chapter 6. Exploration -- Chapter 7. Ideas -- Chapter 8. Identity -- Chapter 9. Professional Practice -- Chapter 10. Conclusion.

Sommario/riassunto

This book provides an extensive and original analysis of the way that written and spoken communication facilitates creative practice in the university art and design studio. Challenging the established view of creativity as a personal attribute which can be objectively measured, the author demonstrates instead that creativity and creative practice are constructed through a complex array of intersecting discourses, each shaped by wider socio-historical contexts, beliefs and values. The author draws upon a range of methods and resources to capture this dynamic complexity from corpus linguistics to ethnography and multimodal analysis. This innovative volume will appeal to students and scholars of discourse analysis, creativity, and applied linguistics. It will also appeal to art and design educators.