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1. |
Record Nr. |
UNISALENTO991002830569707536 |
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Autore |
Caterina : da Siena <santa> |
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Titolo |
Epistolario di Santa Caterina da Siena / Santa Caterina da Siena ; a cura di Eugenio Dupre Theseider |
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Pubbl/distr/stampa |
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Roma : Tipografia del Senato, 1940 |
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Descrizione fisica |
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CXI, 363 p. : 2 tav. ; 25 cm. |
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Collana |
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Fonti per la storia d'Italia / pubblicate dall'Istituto storico italiano per il medioe evo ; 82 |
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Altri autori (Persone) |
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Dupre' Theseider, Eugenio |
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Soggetti |
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Caterina : da Siena <santa> Lettere |
Caterina : da Siena <santa> Lettere |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910785272303321 |
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Titolo |
Directory of world cinema . Volume III Australia and New Zealand [[electronic resource] /] / Edited by Ben Glodsmith and Geoaff Lealand |
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Pubbl/distr/stampa |
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Brisol, UK ; ; Chicago, USA, : Intellect, 2010 |
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ISBN |
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1-282-75959-0 |
9786612759598 |
1-84150-342-8 |
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Descrizione fisica |
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1 online resource (341 p.) |
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Collana |
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Directory of World Cinema |
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Altri autori (Persone) |
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GoldsmithBen |
LealandGeoffrey |
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Disciplina |
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Soggetti |
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Motion picture industry - Australia |
Motion picture industry - New Zealand |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction: Australian Cinema; Directors; Disability in the Australian Cinema; Short Films; Bushranger; War Cinema; Crime; Prison; Period; Comedy; Coming of Age; Horror; Road Movies; Science Fiction and Fantasy; Ozploitation; Introduction: New Zealand Film in 2009; Experimental Film; Directors; Genre and Themes; Recommended Reading; Australia & New Zealand Cinema Online; Notes on Contributors |
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Sommario/riassunto |
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This addition to Intellect's Directory of World Cinema series turns the spotlight on Australia and New Zealand. This ambitious volume offers an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century. Though the two nations share considerable cultural and economic connections, their film industries remain distinct, marked by differences of scale, level of government involvement and funding, and relations with other countries and national cinemas. Through essays about prominent genres and themes, profiles of directors, and comprehensive r |
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