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1. |
Record Nr. |
UNISALENTO991002812299707536 |
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Autore |
Vergilius Maro, Publius |
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Titolo |
Enéide / Virgile ; texte préenté, traduit et annoté par Jacques Perret |
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Pubbl/distr/stampa |
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ISBN |
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Descrizione fisica |
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Collana |
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Collection Folio. Classique ; 2225 |
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Altri autori (Persone) |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910788627203321 |
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Autore |
Wainwright Jeffrey |
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Titolo |
Acceptable words : Essays on the poetry of Geoffrey Hill / / Jeffrey Wainwright |
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Pubbl/distr/stampa |
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Manchester, UK : , : Manchester University Press, , 2013 |
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©2006 |
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ISBN |
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1-84779-599-4 |
1-78170-335-3 |
1-84779-396-7 |
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Descrizione fisica |
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1 online resource (x, 155 pages) : digital file(s) |
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Disciplina |
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Soggetti |
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Literature |
Literary Studies: Poetry & Poets |
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh |
Ireland |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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9780719067549; 9780719067549; Copyright Page; Contents; Acknowledgements; Abbreviations; 'Acceptable words'; 'The speechless dead': King Log (1968); Poet, lover, liar: 'Lachrimae' (1975); 'Our love is what we love to have':Tenebrae (1978); Things and words: The Mystery of theCharity of Charles Péguy (1983); History as poetry: 'Churchill's Funeral' and'De Jure Belli ac Pacis' (Canaan, 1996); The Triumph of Love (1998); 'Beauty is difficult':Speech! Speech! (2000); 'Here and there I pull a flower':The Orchards of Syon (2002) |
'In wintry solstice like the shorten'd light':Scenes from Comus (2005)Afterword: '"I have not finished"'; Notes; Select bibliography; Index |
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Sommario/riassunto |
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Geoffrey Hill has said that some great poetry 'recognises that words fail us'. These essays explore Hill's struggle over fifty years with the recalcitrance of language. This book seeks to show how all his work is marked by the quest for the right pitch of utterance whether it is sorrowing, angry, satiric or erotic. It shows how Hill's words are never lightly 'acceptable' but an ethical act, how he seeks out words he can stand by - words that are 'getting it right'.This book is the most comprehensive and up-to-date critical work on Geoffrey Hill so far, covering all his work up to 'Scenes from |
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