1.

Record Nr.

UNINA990005526200403321

Autore

Solmi, Arrigo <1873-1944>

Titolo

Stato e Chiesa secondo gli sritti politici da Carlomagno fino al Concordato di Worms (800-1122) : studio storico e giuridico / Dr. Arrigo Solmi

Pubbl/distr/stampa

Modena, : Presso la Direzione dell'Archivio Giuridico, 1901

Descrizione fisica

VI, 230 p. ; 24 cm

Collana

Biblioteca dell'Archivio giuridico Filippo Serafini ; 2

Disciplina

322.1

Locazione

FLFBC

FGBC

Collocazione

322.1 SOL 1

V C 84

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia



2.

Record Nr.

UNISALENTO991002461229707536

Titolo

The radon transform, inverse problems, and tomography : American Mathematical Society short course, January 3-4, 2005, Atlanta, Georgia / Gestur Ólafsson, Eric Todd Quinto, editors

Pubbl/distr/stampa

Providence, R. I. : American Mathematical Society, c2006

ISBN

0821839306

Descrizione fisica

xi, 158 p. : ill. ; 26 cm

Collana

Proceedings of symposia in applied mathematics, 0160-7634 ; 63. AMS short course lecture notes

Classificazione

AMS 44-06

AMS 44A12

LC QA672.R33

Altri autori (Persone)

Olafsson, Gesturauthor

Quinto, Eric Toddauthor

Altri autori (Enti)

American Mathematical Society

Disciplina

515.723

Soggetti

Radon transforms - Congresses

Imaging systems in medicine - Congresses

Inverse problems (Differential equations) - Congresses

Integral transforms - Congresses

Sampling (Statistics) - Congresses

Wavelets (Mathematics) - Congresses

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index



3.

Record Nr.

UNINA9910807338703321

Autore

Horn Mirjam

Titolo

Postmodern plagiarisms : cultural agenda and aesthetic strategies of appropriation in US-American literature (1970-2010) / / Mirjam Horn

Pubbl/distr/stampa

Berlin, [Germany] ; ; Boston, [Massachusetts] : , : Walter de Gruyter GmbH, , 2015

©2015

ISBN

3-11-037910-4

3-11-039426-X

Descrizione fisica

1 online resource (294 p.)

Collana

Buchreihe der Anglia = Anglia Book Series, , 0340-5435 ; ; Volume 49

Disciplina

810.9/0054

Soggetti

American literature - 20th century - History and criticism

American literature - 21st century - History and criticism

Plagiarism - United States - History - 20th century

Plagiarism - United States - History - 21st century

Imitation in literature

Lingua di pubblicazione

Tedesco

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Front matter -- Preface and Acknowledgments -- Contents -- 1. Introducing Plagiarism Beyond Illegitimate Plunder -- 2. Framing Plagiarism as a Postmodern Negotiation of Authorship and Text Sovereignty -- 3. Plagiarism as Writing Practice in US Postmodern Literature -- 4. Conclusion: The Present and Future of Strategic Appropriation in the Arts -- Bibliography -- Index

Sommario/riassunto

This monograph takes on the question of how literary plagiarism is defined, exposed, and sanctioned in Western culture and how appropriating language assigned to another author can be considered a radical subversive act in postmodern US-American literature. While various forms of art such as music, painting, or theater have come to institutionalize appropriation as a valid mode to ventilate what authorship, originality, and the anxiety of influence may mean, the literary sphere still has a hard time acknowledging the unmarked acquisition of words, ideas, and manuscripts. The author shows how postmodern plagiarism in particular serves as a literary strategy of



appropriation at the interface between literary economics, law, and theoretical discourses of literature. She investigates the complex expectations surrounding the strong link between an individual author subject and its alienable text, a link that several postmodern writers powerfully question and violate. Identifying three distinct practices of postmodern plagiarism, the book examines their specific situatedness, precepts, and subversive potential as litmus tests for the literary market, and the ongoing dynamic notion of the concepts authorship, originality, and creativity.