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1. |
Record Nr. |
UNINA9910367723403321 |
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Titolo |
Iran looking East : an alternative to the EU? / / edited by Annalisa Perteghella ; introduction by Paolo Magri |
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Pubbl/distr/stampa |
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Milan, Italy : , : Ledizioni, , [2020] |
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©2020 |
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ISBN |
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Descrizione fisica |
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1 electronic resource (127 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Iran Foreign relations 1997- |
Iran Politics and government 21st century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Introduction / Paolo Magri -- 1. Iran's Asianisation Strategy / Anoushiravan Ehteshami, Gawdat Bahgat -- 2. Iran and China: Old Friends in Search of a Sustained Partnership / Jacopo Scita -- 3. The Pendulum ofRussian-Iranian Relations: From Common Goals To Divergent Interests / Maxim A. Suchkov, Polina I. Vasilenko -- 4. Iran and India: The Increasing Convergence ofMutual Interests / Rakesh Sood -- 5. The Transatlantic Divergence and EU-Iran Relations: A Litmus Test for European Sovereignty / Annalisa Perteghella -- Conclusions -- The Authors. |
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Sommario/riassunto |
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In February 2018, anticipating the US withdrawal from the JCPOA, Iran’s Supreme Leader Ayatollah Ali Khamenei declared a policy of “preferring East over West”, thus paving the way for deeper cooperation with Asian powers such as China, Russia, and India. Differently from the “Look East” policy promoted during the presidency of Ahmadinejad (2005-2013), the current Iranian strategy is not only functional to escape the US-led isolation, but it rather seems devoted to the consolidation of a block of power which can commit to security and economic schemes in alternative to the Western-dominated ones. This ISPI report aims to answer few crucial questions: Which are the major initiatives promoted within Iran’s “Look East 2.0” strategy? To what extent will Tehran succeed in creating a solid Eastern block? What will be the influence of |
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the wider geopolitical context? And finally, what role is left for the EU? |
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2. |
Record Nr. |
UNINA9910483468603321 |
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Autore |
Hiebert Erwin |
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Titolo |
The Helmholtz Legacy in Physiological Acoustics / / by Erwin Hiebert |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Springer, , 2014 |
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ISBN |
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Edizione |
[1st ed. 2014.] |
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Descrizione fisica |
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1 online resource (276 p.) |
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Collana |
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Archimedes, New Studies in the History and Philosophy of Science and Technology, , 1385-0180 ; ; 39 |
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Disciplina |
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Soggetti |
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Aesthetics |
History |
Acoustics |
Music |
History of Science |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Envoi -- Jed Buchwald -- Acknowledgments; Erwin Hiebert -- Eloge; Joan Richards -- Introduction; Myles Jackson -- I. Helmholtz -- II. Shohé Tanaka, Just Intonation and the Enharmonium -- III. Max Planck -- IV. Adriaan Fokker. Theoretical Physics and Just Intonation Keyboards -- Appendix. Willem Pijper and the Efflorescence of Dutch Music. |
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Sommario/riassunto |
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This book explores the interactions between science and music in the late nineteenth- and early twentieth century. It examines and evaluates the work of Hermann von Helmholtz, Max Planck, Shohé Tanaka, and Adriaan Fokker, leading physicists and physiologists who were committed to understanding crucial aesthetic components of the art of music, including the standardization of pitch and the implementation of various types of intonations. With a mixture of physics, physiology, and aesthetics, author Erwin Hiebert addresses throughout the book how just intonation came to intersect with the history of keyboard |
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instruments and exert an influence on the development of Western music. He begins with the work of Hermann von Helmholtz, a leading nineteenth-century physicist and physiologist who not only made important contributions in vision, optics, electrodynamics, and thermodynamics, but also helped advanced the field of music theory as well. The author traces the Helmholtzian trends of thought that become inherently more complex by reaching beyond the sciences to perform a bridge with aesthetics and the diverse ways in which the human mind interprets or is taught, in different cultures, to interpret and understand music. Next, the author explores the works of other key physicists and physiologists who were influenced by Helmholtz and added to his legacy. He examines Japanese music theory student Shohé Tanaka, who sought to design a harmonium that was not based on equal temperament but rather on just intonation. Dutch physicist Adriaan Daniel Fokker, who arranged for organs to be built based on 31-tones per octave, orchestrated concerts for these new instruments, and even attempted to compose microtonal music, or music whose tonality is based on intervals smaller than the typical twelve semitones of Western music. |
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3. |
Record Nr. |
UNISALENTO991002201169707536 |
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Autore |
Giorgetti, Giorgio |
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Titolo |
Capitalismo e agricoltura in Italia / Giorgio Giorgetti ; prefazione di Giorgio Mori |
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Pubbl/distr/stampa |
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Roma : Editori riuniti, 1977 |
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Descrizione fisica |
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Collana |
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Biblioteca di storia ; 66 |
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Disciplina |
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Soggetti |
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Agricoltura - Toscana |
Italia Capitalismo |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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