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1. |
Record Nr. |
UNISALENTO991001346969707536 |
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Autore |
Milnor, John Willard |
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Titolo |
Singular points of complex hypersurfaces / by John Milnor |
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Pubbl/distr/stampa |
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Princeton : Princeton Univ. press ; Tokyo : Univ. Tokyo press, 1968 |
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Descrizione fisica |
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Collana |
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Annals of mathematics studies ; 61 |
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Classificazione |
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Disciplina |
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Soggetti |
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Singularities of differentiable maps |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910518194003321 |
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Autore |
Konjikušić Davor |
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Titolo |
Red Glow : Yugoslav Partisan Photography and Social Movement, 1941-1945 / / Davor Konjikušić; ed. by Rosa-Luxemburg-Stiftung |
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Pubbl/distr/stampa |
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Berlin/Boston, : De Gruyter, 2021 |
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München ; ; Berlin : , : Deutscher Kunstverlag (DKV), , [2021] |
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©2022 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (423 p.) |
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Disciplina |
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Soggetti |
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HISTORY / Military / World War II |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Contents -- Photography, First and Foremost -- 'You're |
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Taking Pictures, While We're Being Killed!' On Materiality, Art, and the Civil Contract of the Partisan Photo Archive -- 1. Introduction -- 2. The Battleground of Representation: From the Paris Commune to Nazism -- 3. The Social Contexts of Photography and Its Development between the Two World Wars -- 4. The Red Glow of Partisan Photography -- 5. Photography and Propaganda -- 6. Partisan Photography's Revolutionary Perspective -- 7. Iconic Photographs -- 8. Intelligence Uses of Photography and Trophy Photos of Atrocities -- 9. Photo Archive: The Themes and Subject Matter of Partisan Photography -- 10. Conclusion -- List of Partisan Photographers -- Bibliography |
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Sommario/riassunto |
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Davor Konjikušić offers an in-depth presentation and contextualization of the photographs created by Yugoslav partisans between 1941 and 1945. The book goes beyond an aesthetic depiction of the photographs; it also deals with the history of their use and function within one of the biggest anti-fascist movements in Europe during the Second World War. The photographs are used to trace the development of a movement that-while seemingly doomed to certain failure-nevertheless survived the most destructive war in human history. This book provides new answers to the question of photography's role as a medium and its significance and use in social movements. |
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