1.

Record Nr.

UNISALENTO991001220899707536

Titolo

Joachim of Fiore in Christian thought : essays on the influence of the Calabrian Prophet / edited by Delno C. West

Pubbl/distr/stampa

New York : Burt Franklin & Co., 1975

Descrizione fisica

2 v. [631 p. compless.] ; 23 cm

Altri autori (Persone)

West, Delno C.

Disciplina

230.2092

Soggetti

Gioacchino : da Fiore

Gioacchino : da Fiore

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910780419703321

Autore

Anderson William S.

Titolo

Barbarian play : Plautus' Roman comedy / / William S. Anderson

Pubbl/distr/stampa

Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1993

©1993

ISBN

1-4426-5429-5

1-281-99756-0

9786611997564

1-4426-7117-3

Descrizione fisica

1 online resource (195 p.)

Collana

The Robson Classical Lectures

Disciplina

872.01

Soggetti

Latin drama (Comedy) - Greek influences

Latin drama (Comedy) - History and criticism

LITERARY CRITICISM / Ancient & Classical

Criticism, interpretation, etc.

Electronic books.

Rome (Empire)

Greece

Rome In literature

Greece In literature



Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Contents -- Foreword -- Preface -- ; 1 Plautus and the Deconstruction of Menander -- ; 2 si amicus Diphilo aut Philemoni es: Plautus' Exploitation of Other Writers and Features of the Greek Comic Tradition -- ; 3 Plautus' Plotting: The Lover Upstaged -- ; 4 Heroic Badness (malitia): Plautus' Characters and Themes -- ; 5 Words, Numbers, Movement: Plautus' Mastery of Comic Language, Metre, and Staging -- ; 6 Plautus and His Audience: The Roman Connection -- Notes -- Bibliography -- Index.

Sommario/riassunto

Anderson explores the special form of metatheatre that we admire in Plautus, by which he undermines the assumptions of his Greek `models' and replaces them with a new, confident Roman comedy.