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1. |
Record Nr. |
UNISALENTO991001220899707536 |
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Titolo |
Joachim of Fiore in Christian thought : essays on the influence of the Calabrian Prophet / edited by Delno C. West |
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Pubbl/distr/stampa |
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New York : Burt Franklin & Co., 1975 |
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Descrizione fisica |
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2 v. [631 p. compless.] ; 23 cm |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Gioacchino : da Fiore |
Gioacchino : da Fiore |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910780419703321 |
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Autore |
Anderson William S. |
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Titolo |
Barbarian play : Plautus' Roman comedy / / William S. Anderson |
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Pubbl/distr/stampa |
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Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1993 |
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©1993 |
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ISBN |
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1-4426-5429-5 |
1-281-99756-0 |
9786611997564 |
1-4426-7117-3 |
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Descrizione fisica |
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1 online resource (195 p.) |
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Collana |
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The Robson Classical Lectures |
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Disciplina |
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Soggetti |
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Latin drama (Comedy) - Greek influences |
Latin drama (Comedy) - History and criticism |
LITERARY CRITICISM / Ancient & Classical |
Criticism, interpretation, etc. |
Electronic books. |
Rome (Empire) |
Greece |
Rome In literature |
Greece In literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents -- Foreword -- Preface -- ; 1 Plautus and the Deconstruction of Menander -- ; 2 si amicus Diphilo aut Philemoni es: Plautus' Exploitation of Other Writers and Features of the Greek Comic Tradition -- ; 3 Plautus' Plotting: The Lover Upstaged -- ; 4 Heroic Badness (malitia): Plautus' Characters and Themes -- ; 5 Words, Numbers, Movement: Plautus' Mastery of Comic Language, Metre, and Staging -- ; 6 Plautus and His Audience: The Roman Connection -- Notes -- Bibliography -- Index. |
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Sommario/riassunto |
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Anderson explores the special form of metatheatre that we admire in Plautus, by which he undermines the assumptions of his Greek `models' and replaces them with a new, confident Roman comedy. |
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