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1. |
Record Nr. |
UNISALENTO991001080709707536 |
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Autore |
Onishchik, Arkady L. |
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Titolo |
Lie groups and algebraic groups / A. L. Onishchik, E. B. Vinberg ; transl. D. A. Leites |
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Pubbl/distr/stampa |
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Berlin : Springer-Verlag, 1990 |
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ISBN |
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Descrizione fisica |
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Classificazione |
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AMS 17B |
AMS 20G |
AMS 22E |
AMS 81-XX |
LC QA387.V5613 |
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Altri autori (Persone) |
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Vinberg, Ernest Borisovich |
Leites, D. A. |
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Disciplina |
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Soggetti |
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Lie groups - Congresses |
Linear algebraic groups - Congresses |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Russian ed. 1988 |
Transl. from Russian |
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2. |
Record Nr. |
UNINA9910780457203321 |
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Titolo |
Postmodernism and the postsocialist condition [[electronic resource] ] : politicized art under late socialism / / edited by Ale?s Erjavec ; with a foreword by Martin Jay and contributions by Boris Groys ... [et al.] |
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Pubbl/distr/stampa |
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Berkeley, : University of California Press, c2003 |
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ISBN |
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1-282-35679-8 |
0-520-92855-5 |
9786612356797 |
1-59734-825-2 |
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Descrizione fisica |
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1 online resource (320 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Art - Political aspects |
Postmodernism |
Socialism and art |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; List of Illustrations; Acknowledgments; Foreword; Introduction; The Other Gaze: Russian Unofficial Art's View of the Soviet World; Art as a Political Machine: Fragments on the Late Socialist and Postsocialist Art of Mitteleuropa and the Balkans; Neue Slowenische Kunst-New Slovenian Art: Slovenia, Yugoslavia, Self-Management, and the 1980's; Hungarian Marginal Art in the Late Period of State Socialism; The New Cuban Art; Post-Utopian Avant-Garde Art in China; List of Contributors; Index; |
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Sommario/riassunto |
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The Berlin Wall was coming down, the Soviet Union was dissolving, Communist China was well on its way down the capitalist path; the world was witnessing political and social transformations without precedent. Artists, seeing it all firsthand, responded with a revolution of their own. What form this revolution took-how artists in the 1980's marked their societies' traumatic transition from decaying socialism to an insecure future-emerges in this remarkable volume. With in-depth perspectives on art and artists in the former Soviet Union, the Balkans |
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and Mitteleuropa, China, and Cuba-all from... |
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