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Record Nr. |
UNISA996582041703316 |
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Autore |
Bogazianos Dimitri A |
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Titolo |
5 grams [[electronic resource] ] : crack cocaine, rap music, and the war on drugs / / Dimitri A. Bogazianos |
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Pubbl/distr/stampa |
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New York, : New York University Press, 2012 |
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ISBN |
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0-8147-2516-3 |
0-8147-2306-3 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (217 p.) |
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Collana |
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Alternative criminology series |
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Disciplina |
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Soggetti |
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Drug control - United States |
Crack (Drug) - United States |
Sentences (Criminal procedure) - United States |
Narcotic laws - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Crack, rap, and the punitive turn -- The invisible hand holds a gun: law and policy in the lethal regulation of crack -- Rap puts crack to work -- Things done changed: the rise of new school violence -- Training and humiliation -- Facing the corporation. |
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Sommario/riassunto |
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"In 2010, President Barack Obama signed a law repealing one of the most controversial policies in American criminal justice history: the one hundred to one sentencing disparity between crack cocaine and powder whereby someone convicted of "simply" possessing five grams of crack--the equivalent of a few sugar packets--had been required by law to serve no less than five years in prison. In this highly original work, Dimitri A. Bogazianos draws on various sources to examine the profound consequences of America's reliance on this punishment structure, tracing the rich cultural linkages between America's War on Drugs, and the creative contributions of those directly affected by its destructive effects. Focusing primarily on lyrics that emerged in 1990s New York rap, which critiqued the music industry for being corrupt, unjust, and criminal, Bogazianos shows how many rappers began drawing parallels between the "rap game" and the "crack game." He argues that the symbolism of crack in rap's stance towards its own |
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