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Record Nr. |
UNISA996565567103316 |
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Titolo |
Video Conferencing : Infrastructures, Practices, Aesthetics / / ed. by Axel Volmar, Jan Distelmeyer, Olga Moskatova |
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Pubbl/distr/stampa |
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Bielefeld : , : transcript Verlag, , [2023] |
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2023 |
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ISBN |
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Descrizione fisica |
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1 online resource (374 p.) |
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Collana |
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Digitale Gesellschaft ; ; 53 |
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Disciplina |
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Soggetti |
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SOCIAL SCIENCE / Media Studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Contents -- Video Conferencing: Infrastructures, Practices, Aesthetics -- Teaching / Learning -- A Study Abroad during Covid-19 -- Teaching Into the Void -- Presence in Video Conferencing in Teaching Contexts as a Means for Positioning Subjects -- The Anatomy of Zoom Fatigue -- The Need for Intentionally Equitable Hospitality in Video Conferencing -- Infrastructuring / Interfacing -- Laws of Zoom -- Video Conferencing as Programmatic Relations -- Techniques of the Face -- Performing / Appearing -- Sociospatiality between Agency and Fixation -- Eye Contact with the Machine -- Performing Video Conferencing and VR for a "Real Virtual Life" -- "In Eight and a Half Seconds the World Has Changed" -- Working / Cooperating -- Things in the Background -- People Who Stare at Screens -- Video Conferencing and Performance Magic -- Dis/Abling Video Conferences -- Authors |
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Sommario/riassunto |
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The COVID-19 pandemic has reorganized existing methods of exchange, turning comparatively marginal technologies into the new normal. Multipoint videoconferencing in particular has become a favored means for web-based forms of remote communication and collaboration without physical copresence. Taking the recent mainstreaming of videoconferencing as its point of departure, this anthology examines the complex mediality of this new form of social interaction. Connecting theoretical reflection with material case studies, the contributors question practices, politics and aesthetics of |
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videoconferencing and the specific meanings it acquires in different historical, cultural and social contexts. |
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