Musik und Klangkultur. Women's Leadership in Music : Modes, Legacies, Alliances / / ed. by Linda Cimardi, Iva Nenic

• Record Nr.: UNISA996517766803316
• Pubbl/distr/stampa: Bielefeld : , : transcript Verlag, , [2023]; ©2023
• ISBN: 3-8394-6546-X
• Edizione: [1st ed.]
• Descrizione fisica: 1 online resource (258 p.)
• Collana: Musik und Klangkultur ; ; 63
• Soggetti: MUSIC / History & Criticism
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Nota di contenuto: Frontmatter -- Contents -- Introduction. Women’s Modes, Legacies and Futures in Music -- Uneven Terrains of Struggle: Towards the Transformative Notion of Female Music Leadership -- Between Home and International Scenes. Sarah Ndagire’s Way to World Music -- Plucking a Liberal Sound: Japanese Women’s Resignification of Finnish Kantele in a Hobbyist Club -- Female Balkan Romani Singers: Charting Innovative Performance Paths -- Assumptions of Normality: How Three Women with a Disability Changed the Face of Music -- Female Leadership in Iranian-Arab Shiʻa Rituals from Khorramshahr, South-western Iran -- God Has a Woman’s Voice. Liturgical Music and Agency of Eastern European Migrant Women in Rome -- Winds of Change? Gender Segregation in Music Education and Production in Italy -- Introducing WMLON: The Women’s Musical Leadership Online Network -- Women in Music: Possibilities and Responsibilities of Cultural Management and Policy -- Women’s Role in Sustaining the Practice of Tamburitza Instruments in Vojvodina -- Performing Trauma in Privileged Spaces: Empowering Turkish Women’s Voices of the Past -- Women’s Actions to Revitalize the Practice of Kaval Playing in Serbia -- Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice -- Female Agency, Genres and Aesthetics of Sorrow in Persian Classical Music -- “What Moves the World, Moves My Ass as Well”: Mimi Mercedez as an Anti-heroine of Postsocialist Serbia -- Notes on Contributors
• Sommario/riassunto: Various modes of contemporary female cultural, social and political leadership can be found in music. Informed by different histories and culturally bound social mores but also by a comparative perspective, the contributors ask what can be considered as leadership in culture from a female point of view today. They deconstruct the notion of leadership as corporative and career-related modes of success by showing how female agency, power and negotiation in and through music can and should be considered as empowering, transformative and role-modeling. This volume interweaves several disciplinary perspectives, from ethnomusicology, musicology and cultural management to sociology and anthropology.

Journal of emerging economies and Islamic research

• Record Nr.: UNINA9910566452003321
• Pubbl/distr/stampa: Bandar Puncak Alam, Selangor : , : Penerbit Press, Universiti Teknologi MARA, , 2013-
• Descrizione fisica: 1 online resource
• Soggetti: Economic development - Islamic countries; Economic development; Periodicals.; Islamic countries
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Periodico
• Note generali: Refereed/Peer-reviewed

The Holocaust Bystander in Polish Culture, 1942-2015 : The Story of Innocence / / edited by Maryla Hopfinger, Tomasz Żukowski

• Record Nr.: UNINA9910483220003321
• Pubbl/distr/stampa: Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021
• ISBN: 9783030664084; 3030664082
• Edizione: [1st ed. 2021.]
• Descrizione fisica: 1 online resource (xv, 364 pages) : illustrations
• Collana: Palgrave Studies in Cultural Heritage and Conflict, , 2634-6427
• Disciplina: 940.531503924; 940.531809438
• Soggetti: Cultural property; World War, 1939-1945; Ethnology - Europe; Culture; Cultural Heritage; History of World War II and the Holocaust; European Culture
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Nota di contenuto: 1. Chapter 1: We are all witnesses. Instead of an introduction; Maryla Hopfinger -- 2. Chapter 2: Constructing the Figure of the Polish Shoah Witness; Katarzyna Chmielewska -- 3. Chapter 3: Alternative Narratives of the 1940s vs. the Politics of Memory; Katarzyna Chmielewska -- 4. Chapter 4: Hand in hand. Calling on witnesses to Polish-Jewish brotherhood; Anna Zawadzka -- 5. Chapter 5: Bearing witness to witnessing: Jewish narratives about Polish "witnesses" to the Holocaust; Anna Zawadzka -- 6. Chapter 6: The guilt of indifference; Aránzazu Calderón Puerta, Tomasz Żukowski -- 7. Chapter 7: Nostalgic archeology and critical archeology; Tomasz Żukowski -- 8. Chapter 8: Documents and fictions; Wojciech Wilczyk.-.
• Sommario/riassunto: This book concerns building an idealized image of the society in which the Holocaust occurred. It inspects the category of the bystander (in Polish culture closely related to the witness), since the war recognized ; as the axis of self-presentation and majority politics of memory. The category is of performative character since it defines the roles of event participants, assumes passivity of the non-Jewish environment, and alienates the exterminated, thus making it impossible to speak about the bystanders' violence at the border between the ghetto and the 'Aryan' side. Bystanders were neither passive nor distanced; rather, they participated and played important roles in Nazi plans. Starting with the war, the authors analyze the functions of this category in the Polish discourse of memory through following its changing forms and showing links with social practices organizing the collective memory. Despite being often critiqued, this point of dispute about Polish memory rarely belongs to mainstream culture. It also blocks the memory of Polish violence against Jews. The book is intended for students and researchers interested in memory studies, the history of the Holocaust, the memory of genocide, and the war and postwar cultures of Poland and Eastern Europe. .