| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNISA996517758103316 |
|
|
Titolo |
Image. Grain & Noise - Artists in Synthetic Biology Labs : Constructive Disturbances of Art in Science / / ed. by Markus Schmidt |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Bielefeld : , : transcript Verlag, , [2023] |
|
©2023 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (200 p.) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Soggetti |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di contenuto |
|
Frontmatter -- Contents -- Introduction -- Managing creative disturbances -- Creative mis/understandings: expectations, outcomes, and frictions in asymmetric art/science encounters -- Newcotiana -- Picture -- About -- Artist x Laboratory -- Tobacco: a mass of atoms, a biofactory, and a generous friend -- Tobacco research through different lenses: reflections on the influences of art in science -- Sinfonia -- Picture -- About -- Artist x Laboratory -- Making music with enzymes -- Rewriting the symphony of life with synthetic metabolism – can enzymes play music? -- Madonna -- Picture -- About -- Artist x Laboratory -- Multiscalar forms of resistance: the molecular switch, the bacterium, the individual and the state -- Towards a new covenant with nature – starred by environmental microorganisms -- Artist x Laboratory -- Souls from the deep: a survey through a sticky universe -- Breathing life into inorganic alien matter -- Afterword -- Friction gains in art & science collaboration: more than noise -- Contributors -- Image Credits |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
The collaboration between scientists and artists in the form of Artist-in-Lab residencies may not only cause a productive disturbance for a day's work in the laboratory, but also reveal new ways of understanding. Research and science communication company »Biofaction« has brought together artists and synthetic biologists throughout Europe in a residence program that spans four truly cross-disciplinary collaborations. The contributors to this volume share their |
|
|
|
|
|
|
|
|
|
|
reflections of the dynamic frictions that occurred when their artistic and scientific worlds met.These stories, where chemistry labs, tobacco plants, genetically edited bacteria, and new-to-nature enzymes collide with music, photography, film, and visual arts, infuses the ongoing dialogue between art and sciences with grain, noise, and synergies. |
|
|
|
|
|
| |