Collecting the new : museums and contemporary art / / edited by Bruce Altshuler

• Record Nr.: UNINA9910790520503321
• Pubbl/distr/stampa: Princeton, New Jersey : , : Princeton University Press, , [2005]; ©2005
• ISBN: 0-691-11940-6; 1-4008-4935-7
• Edizione: [Course Book]
• Descrizione fisica: 1 online resource (202 p.)
• Classificazione: 20.12
• Altri autori (Persone): AltshulerBruce
• Disciplina: 708.13/09/051
• Soggetti: Art, Modern - 20th century - Collectors and collecting - United States; Art, Modern - 21st century - Collectors and collecting - United States; Art museums - Collection management - United States
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Frontmatter -- Contents -- Collecting the New: A Historical Introduction / Altshuler, Bruce -- The Right to Be Wrong / Fox, Howard N. -- To Have and to Hold / Storr, Robert -- 9 Minutes 45 Seconds / Weiss, Jeffrey -- Breaking Down Categories: Print Rooms, Drawing Departments, and the Museum / Cherix, Christophe -- Keeping Time: On Collecting Film and Video Art in the Museum / Iles, Chrissie / Huldisch, Henriette -- Collecting New-Media Art: Just Like Anything Else, Only Different / Dietz, Steve -- Beyond the "Authentic-Exotic": Collecting Contemporary Asian Art in the Twenty-first Century / Desai, Vishakha N. -- The Unconscious Museum: Collecting Contemporary African Art without Knowing It / McClusky, Pamela -- The Accidental Tourist: American Collections of Latin American Art / Pérez-Barreiro, Gabriel -- Collecting the Art of African-Americans at the Studio Museum in Harlem: Positioning the "New" from the Perspective of the Past / Stokes Sims, Lowery -- The Challenges of Conserving Contemporary Art / Wharton, Glenn -- Acknowledgments -- Index -- Photography Credits
• Sommario/riassunto: Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. ; Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent? The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Pérez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.

The Insistence of Art : Aesthetic Philosophy after Early Modernity / / edited by Paul A. Kottman

• Record Nr.: UNISA996478970903316
• Autore: Kottman Paul A
• Pubbl/distr/stampa: NY, : Fordham University Press, 2016; New York, NY : , : Fordham University Press, , 2017; ©2017
• ISBN: 0-8232-7582-5; 0-8232-7580-9; 0-8232-7581-7
• Edizione: [First edition.]
• Descrizione fisica: 1 online resource (226 pages)
• Disciplina: 111/.85
• Soggetti: Art - Philosophy; Aesthetics, Modern; Electronic books.
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Includes index.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Front matter -- Contents -- Introduction. The Claim of Art: Aesthetic Philosophy and Early Modern Artistry -- Chapter 1. Allegory, Poetic Theology, and Enlightenment Aesthetics -- Chapter 2. Object Lessons: Reification and Renaissance Epitaphic Poetry -- Chapter 3. How Do We Recognize Metaphysical Poetry? -- Chapter 4. Literature, Prejudice, Historicity: The Philosophical Importance of Herder’s Shakespeare Studies -- Chapter 5. Reaching Conclusions: Art and Philosophy in Hegel and Shakespeare -- Chapter 6. “All Art Constantly Aspires to the Condition of Music”—Except the Art of Music: Reviewing the Contest of the Sister Arts -- Chapter 7. The Beauty of Architecture at the End of the Seventeenth Century in Paris, Greece, and Rome -- Chapter 8. Strokes of Wit: Theorizing Beauty in Baroque Italy -- Chapter 9. Goya: Secularization and the Aesthetics of Belief -- Chapter 10. Remembering Isaac: On the Impossibility and Immorality of Faith -- Contributors -- Index
• Sommario/riassunto: Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic ; practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addresses that gap, elaborating the extent to which artworks and practices of the fifteenth through the eighteenth centuries were accompanied by an immense range of discussions about the arts and their relation to one another. Rather than take art as a stand-in for or reflection of some other historical event or social phenomenon, this book treats art as a phenomenon in itself. The contributors suggest ways in which artworks and practices of the early modern period make aesthetic experience central to philosophical reflection, while also showing art’s need for philosophy.