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1. |
Record Nr. |
UNISA996477562903316 |
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Autore |
Stafford, Richard <1663-1703.> |
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Titolo |
Things plain and weighty referred unto the consideration of both Houses of Parliament assembled at Westminster, March 25, 1690 : that peace and happiness, truth and justice, religion and piety, may be established amongst us throughout all generations |
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Pubbl/distr/stampa |
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Descrizione fisica |
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Testo elettronico (PDF) (14 p.) |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Risorsa elettronica |
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Livello bibliografico |
Monografia |
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Note generali |
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And now reprinted with the addition of more words of truth ... |
Riproduzione dell'originale nella Bodleian Library |
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2. |
Record Nr. |
UNISOBVAN0075329 |
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Autore |
Dvorak, Ann M. |
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Titolo |
2: Diagnostic ultrastructural pathology : a text-atlas of case studies emphasizing respiratory and nervous systems / Ann M. Dvorak and Rita A. Monahan-Earley |
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Pubbl/distr/stampa |
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ISBN |
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Descrizione fisica |
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Altri autori (Persone) |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910789727603321 |
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Autore |
Honing Henkjan |
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Titolo |
The illiterate listener [[electronic resource] ] : on music cognition, musicality and methodology / / Henkjan Honing |
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Pubbl/distr/stampa |
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Amsterdam, : Vossiuspers UvA, 2011 |
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ISBN |
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1-283-25937-0 |
9786613259370 |
90-485-1508-4 |
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Descrizione fisica |
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1 online resource (25 p.) |
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Disciplina |
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Soggetti |
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Music - Psychological aspects |
Cognition |
Musical ability |
Musical perception |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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The Illiterate Listener; Music and language; Music cognition; Musicality; Methodology; Epilogue; Acknowledgements; Notes; References |
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Sommario/riassunto |
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Since infancy we humans have had a high perceptual sensitivity to both the melodic, rhythmic and dynamic aspects of speech and music. It is, as far as we know, a uniquely human talent for perceiving, interpreting and appreciating music, dating as far back before words were spoken, or even invented. Music has an intriguing way with our hearing, our memory, our emotions and our expectations. As a listener we are often unaware of the active role we play when determining what music is exciting, comforting or exciting. Consequently, listening is not happening in the outside world of sounding music, |
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