| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNISA990005707010203316 |
|
|
Autore |
SAGE, Pierre |
|
|
Titolo |
Le Préclassicisme : d'après Raoul Morçay / par Pierre Sage |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Altri autori (Persone) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Letteratura francese - Sec. 17 |
|
|
|
|
|
|
Collocazione |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
2. |
Record Nr. |
UNISA996465427103316 |
|
|
Titolo |
Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music [[electronic resource] ] : 5th International Symposium, CMMR 2008 Copenhagen, Denmark, May 19-23, 2008 Revised Papers / / edited by Sølvi Ystad, Richard Kronland-Martinet, Kristoffer Jensen |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 2009 |
|
|
|
|
|
|
|
|
|
ISBN |
|
1-282-63509-3 |
3-642-02518-8 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed. 2009.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (X, 285 p.) |
|
|
|
|
|
|
Collana |
|
Information Systems and Applications, incl. Internet/Web, and HCI ; ; 5493 |
|
|
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Computer communication systems |
Music |
Database management |
Information storage and retrieval |
Multimedia information systems |
Application software |
Computer Communication Networks |
Database Management |
Information Storage and Retrieval |
|
|
|
|
|
|
|
|
|
|
|
|
Multimedia Information Systems |
Computer Appl. in Arts and Humanities |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Bibliographic Level Mode of Issuance: Monograph |
|
|
|
|
|
|
Nota di contenuto |
|
Retrieving the Meaning -- Timbre Perception of Sounds from Impacted Materials: Behavioral, Electrophysiological and Acoustic Approaches -- Perception of Harmonic and Inharmonic Sounds: Results from Ear Models -- Semantic Contours in Tracks Based on Emotional Tags -- Chunking Sound for Musical Analysis -- Towards a Model of Musical Chunks -- Does Social Interaction Activate Music Listeners? -- Musically Meaningful or Just Noise? An Analysis of On-line Artist Networks -- The Pursuit of Happiness in Music: Retrieving Valence with Contextual Music Descriptors -- Perception of Impacted Materials: Sound Retrieval and Synthesis Control Perspectives -- Refinement Strategies for Music Synchronization -- Labelling the Structural Parts of a Music Piece with Markov Models -- Tree Representation in Combined Polyphonic Music Comparison -- Interval Distinction on Melody Perception for Music Information Retrieval -- A Learning-Based Model for Musical Data Representation Using Histograms -- Generating the Meaning: Tools and Performance -- Ontological Substance and Meaning in Live Electroacoustic Music -- Dynamic Mapping Strategies for Expressive Synthesis Performance and Improvisation -- Amplified Breath – (Dis)Embodied Habitat: Exploring Sonic Interfaces of Performance, Electronics, Space and Flautist Identity -- KSQuant - Complex Score Manipulation in PWGL through Quantization -- Strategies and Methods for Creating Symbolic Electroacoustic Scores in ENP -- An IEEE 1599-Based Interface for Score Analysis -- New Music in the Atomic Age. |
|
|
|
|
|
|
|
| |