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1. |
Record Nr. |
UNISA996449440703316 |
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Autore |
Park Johannes |
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Titolo |
Interfiguralität bei Phaedrus : ein fabelhafter Fall von Selbstinszenierung / / Johannes Park |
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Pubbl/distr/stampa |
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Berlin/Boston, : De Gruyter, 2017 |
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Berlin, [Germany] ; ; Boston, [Massachusetts] : , : De Gruyter, , 2017 |
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©2017 |
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ISBN |
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Descrizione fisica |
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1 online resource (258 pages) : illustrations |
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Collana |
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Millennium-Studien = ; ; Band 66 Millennium Studies |
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Disciplina |
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Soggetti |
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Latin literature - History and criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Vorwort -- Inhalt -- 1. Einleitung -- 2. Methodische Vorüberlegungen – Interfiguralität -- 3. Phaedrus und Aesop – eine textchronologische Betrachtung -- 4. Aesop als Figur und Trickster – zwischen Selbstinszenierung und Gattungsreflexion -- 5. Esel, Bauern und Götter – weitere Fälle von Interfiguralität -- 6. Phaedrus und Horaz -- 7. Schlussbetrachtung -- 8. Literaturverzeichnis -- Stellenregister |
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Sommario/riassunto |
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Dass Phaedrus insbesondere in den Rahmengedichten seiner fabulae Aesopiae eine komplexe Poetik entwickelt, darf in der Forschung als etabliert gelten. Kaum berücksichtigt wurde bisher, welch zentrale Rolle die Figuren der Fabeln in Phaedrus’ Dichtungsprogramm und Selbstinszenierung spielen. So nutzt der Fabeldichter Figuren wie den Gattungsgründer Aesop, den Esel, den Hund, einen Bauern, aber auch Götter als Vehikel seiner Selbstdarstellung und weist ihre Ambivalenz als ein poetologisches Strategem aus: Indem sich Phaedrus durch diese Figuren als inkonsistenter Fabeldichter inszeniert, legt er Widersprüchlichkeit und Vielgestaltigkeit als zentrale Elemente seiner Poetik dar. Eine solche poetologische und selbstinszenatorische Dimension der Fabelakteure wird durch das Konzept der Interfiguralität erklärbar, mit dem sich komplexe Zusammenhänge zwischen Figuren und dem auktorialen Ich beschreiben lassen. In den textnahen Interpretationen zeigen sich zudem vielfältige Bezüge zu Horazens Werk und verdeutlichen, wie Phaedrus die Fabel als selbstständige |
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Gattung in der nachaugusteischen Literaturlandschaft zu etablieren sucht. |
In the prologues and epilogues to his Fables, Phaedrus – despite the low reputation of the genre – develops a complex if at times inconsistent poetics. The ambivalences and contradictory nature of his poetics are part of the fabulist’s self-presentation, whereby certain figures, such as Aesop the trickster, the donkey, and even divine figures such as Prometheus play central role. |
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2. |
Record Nr. |
UNINA9910798479503321 |
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Autore |
Schreiner Patrick |
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Titolo |
The body of Christ : a spatial analysis of the kingdom in Matthew / Patrick Schreiner |
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Pubbl/distr/stampa |
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New York, : Bloomsbury T&T Clark, 2016 |
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ISBN |
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0-567-66968-8 |
0-567-66722-7 |
0-567-66721-9 |
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Descrizione fisica |
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1 online resource (203 p.) |
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Collana |
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Library of New Testament studies ; 555 |
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Disciplina |
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Soggetti |
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Kingdom of God - Biblical teaching |
Space - Religious aspects - Christianity |
Human geography |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index |
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Nota di contenuto |
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List of Tables -- List of Figures -- Preface -- Foreword -- List of Abbreviations -- Part 1: Space: The Final Frontier -- 1. The Eclipse of Space -- 2. The Presence of Jesus and the Spatial Kingdom -- 3. Spatial Theory -- Part 2: Jesus vs. Beelzebul -- 4. Lord of Heaven and Earth -- 5. If By the Spirit: The Spirit, The Spatial Kingdom and the New Exodus -- Part 3: World-Building with Words -- 6. Salt, Light, Dust, and Fields -- 7. The Meek Community and the Temple -- Part 4: People, Presence, and Place -- 8. A New World and the Community -- 9. The Kingdom as Thirdspace -- Bibliography -- Indexes |
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Sommario/riassunto |
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Little attention is usually given to the space or place of the kingdom. Yet Matthew employs the distinctive phrase "kingdom of heaven" and also portrays Jesus as Immanuel (God with us). In this volume Patrick Schreiner argues that by expanding one's view of space one can see that Jesus' purpose is to reorder the space of the earth in Matthew as the heavenly king. Jesus pierces the barrier between the two realms in his incarnation, and the spaces of heaven and earth begin to collide in his ministry. Therefore, in Matthew, Jesus does not just promise a temporal or ethereal kingdom, but one that is located, one that has a sense of rootedness. Jesus is granted authority over this space and inspires people to follow him in this construction project. The spatial kingdom begins in his body, and he extends it to his church by promising his presence |
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3. |
Record Nr. |
UNINA9910133565203321 |
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Titolo |
2012 Nirma University International Conference on Engineering |
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Pubbl/distr/stampa |
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[Place of publication not identified], : IEEE, 2012 |
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ISBN |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Technological innovations |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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