1.

Record Nr.

UNISA996398648603316

Autore

Nobitz Natalie Marena <1989->

Titolo

History's queer stories : retrieving and navigating homosexuality inBritish fiction about the Second World War / / Natalie Marena Nobitz

Pubbl/distr/stampa

Bielefeld : , : Transcript Verlag, , [2018]

©2018

ISBN

3-8394-4543-4

Edizione

[1st ed.]

Descrizione fisica

1 online resource (311 pages)

Collana

Queer Studies ; ; Volume 19

Disciplina

809.93353

Soggetti

Homosexuality in literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Frontmatter    1  Contents    5  Acknowledgements    7  List of Abbreviations    9  Introduction: "Never in the History of Sex was so Much Offered to so Many by so Few"    11  "People's Pasts [are] so Much More Interesting than Their Futures" - Re-Negotiating the Homosexual Problem Novel    63  "We Have to Do the Things They Tell Us" - Nation, Masculinity and War    135  "The Collapse of a Wall [...] Starts with a Few Loose Bricks" - Queering Space, Body and Time    207  "No Sense of a Tidy Ending": Resisting Closure    267  Bibliography    289  Index    307

Sommario/riassunto

Critical analysis of the dramatisation of homosexuality in British fiction about the Second World War is noticeable only by its relative absence from the field. Whereas feminist literary criticism has broadened the canon of war fiction to include narratives by and about women, queer scholars have seldom focused on literary representations of homosexuality during the war. Natalie Marena Nobitz closes a glaring gap in the critical attention of four novels dealing with the disruption of gender roles and institutionalised heteronormativity: Walter Baxter's Look Down in Mercy (1951), Mary Renault's The Charioteer (1953), Sarah Waters'  The Night Watch (2006) and Adam Fitzroy's Make Do and Mend (2012).

Besprochen in:  The Gay & Lesbian Review, 1 (2020), Dale Boyler  DHIVA, Sommer 2020, Ulrich Brömmling