| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNIPARTHENOPE000028802 |
|
|
Titolo |
L' affidamento e la gestione dei servizi pubblici locali a rilevanza economica : percorsi e disciplina generale / a cura di Harald Bonura e Massimo Cassano |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Torino : Giappichelli, c2011 |
|
|
|
|
|
|
|
Titolo uniforme |
L' affidamento e la gestione dei servizi pubblici locali a rilevanza economica |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Collana |
|
Percorsi istituzionali , Servizi pubblici locali, autonomie e mercati ; 1 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Collocazione |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNISA996397639603316 |
|
|
Autore |
Manchester Henry Montagu, Earl of, <1563?-1642.> |
|
|
Titolo |
Manchester al mondo [[electronic resource] ] : contemplatio mortis et immortalitatis = a contemplation of death and immortality |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London, : Printed by T.R. and E.M. for Richard Thrale ..., 1655 |
|
|
|
|
|
|
|
Edizione |
[The sixth impression much enlarged, with the Latine sentences rendred into English.] |
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Soggetti |
|
Death |
Eschatology |
Immortality |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Illustrated frontispiece portrait of Montagu. |
Added engraved t.p. |
Advertisements: p. [3]-[5] at end. |
Reproduction of original in the University of Illinois (Urbana-Champaign Campus). Library. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
|
|
|
|
|
|
|
|
|
|
|
|
3. |
Record Nr. |
UNINA9910822651003321 |
|
|
Autore |
Karamanou Ioanna |
|
|
Titolo |
Euripides, Alexandros : introduction, text and commentary / / by Ioanna Karamanou |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Berlin, [Germany] ; ; Boston, [Massachusetts] : , : De Gruyter, , 2018 |
|
©2018 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (398 pages) |
|
|
|
|
|
|
Collana |
|
Texte und Kommentare ; ; 57 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
LITERARY CRITICISM / Ancient & Classical |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Frontmatter -- Preface -- Table of Contents -- Abbreviations -- Introduction -- Text -- Testimonia -- Fragmenta -- Fragmenta incertae sedis -- Fragments of uncertain location -- Fragmenta quae probabiliter ad Euripidis Alexandrum pertinent -- Fragments probably belonging to Euripides' Alexandros -- Commentary -- Appendix -- Bibliography -- General Index -- Index of Passages Discussed -- Plates |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
This is the first full-scale commentary on Euripides' Alexandros, which is one of the best preserved fragmentary tragedies. It yields insight into aspects of Euripidean style, ideology and dramatic technique (e.g. rhetoric, stagecraft and imagery) and addresses textual and philological matters, on the basis of a re-inspection of the papyrus fragments. This book offers a reconstruction of the play and an investigation of issues of characterization, staging, textual transmission and reception, not least because Alexandros has enjoyed a fascinating Nachleben in literary, dramaturgical and performative terms. It also contributes to the readers' understanding of the trends of later Euripidean drama, especially the dramatist's innovation and experimentation with plot-patterns and staging conventions. Furthermore, the analysis of Alexandros could stimulate a more comprehensive reading of the extant Trojan Women coming from the same production, which bears the features of a 'connected trilogy'. Thus, the information retrieved through the interrogation of the rich fragmentary material serves to supplement and contextualize the extant tragic corpus, showcasing the |
|
|
|
|
|
|
|
|
|
|
vitality and multiformity of Euripidean drama as a whole. |
|
|
|
|
|
| |