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1. |
Record Nr. |
UNISA996397461603316 |
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Autore |
S. R (Simon Robson), <d. 1617.> |
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Titolo |
The choise of change [[electronic resource] ] : containing the triplicity of diuinitie, philosophie, and poetrie short for memorie, profitable for knowledge, and necessarie for maners : whereby the learned may be confirmed, the ignorant instructed, and all men generally recreated / / newly set foorth by S.R., gent. and student in the Vniuersitie of Cambridge |
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Pubbl/distr/stampa |
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At London, : Printed by Roger Warde, dwelling neere Holburne conduit, at the signe of the Talbot, 1585 |
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Descrizione fisica |
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Soggetti |
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Theology |
Theology - History - 16th century |
Philosophy, Renaissance |
Poetry, Modern - 15th and 16th centuries |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Attributed to Simon Robson by STC (2nd ed.) and NUC pre-1956 imprints. |
Signatures: [A]² B-MⴠN². |
Reproduction of original in the Harvard University Library. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNISA996379039103316 |
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Autore |
Lameris Bregt |
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Titolo |
Film Museum Practice and Film Historiography / Bregt Lameris |
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Pubbl/distr/stampa |
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Amsterdam University Press, 2018 |
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Amsterdam : , : Amsterdam University Press, , [2017] |
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©[2017] |
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ISBN |
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Descrizione fisica |
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1 online resource (271 pages) |
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Collana |
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Disciplina |
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Soggetti |
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Motion pictures - Historiography |
Film archives - Netherlands - Amsterdam - History - 20th century |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references (pages 245-260) and index. |
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Nota di contenuto |
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Frontmatter -- TABLE OF CONTENTS -- ACKNOWLEDGEMENTS -- Introduction -- PART I COLLECTIONS -- CHAPTER 1. Private Collectors -- CHAPTER 2. Blind Choices: Parameters and Repetitions -- CHAPTER 3. Eyes Wide Open: Duplicates -- CHAPTER 4. Passive Preservation: An Historical Overview -- CHAPTER 5. Impressions: Restoration of the Film Image -- CHAPTER 6. Reconstructions -- PART III PRESENTATIONS -- CHAPTER 7. Film Museum Exhibition Spaces -- CHAPTER 8. Framing Programmes -- CHAPTER 9. Performances -- Coda: Past Futures, Future Pasts -- NOTES -- BIBLIOGRAPHY -- INDEX |
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Sommario/riassunto |
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Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history. |
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