| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNISA996396977303316 |
|
|
Autore |
Smith Thomas <1638-1710.> |
|
|
Titolo |
Catalogus librorum manuscriptorum Bibliothecæ Cottonianæ [[electronic resource] ] : cui præmittuntur illustris viri, D. Roberti Cottoni, equitis aurati & baronetti, vita : et Bibliothecæ Cottonianæ historia & synopsis / / scriptore Thoma Smitho. |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Oxonii, : E Theatro Sheldoniano, MDCXCVI [1696] |
|
|
|
|
|
|
|
Descrizione fisica |
|
[12], l, [2], 159, [25] p., [1] leaf of plates : port |
|
|
|
|
|
|
Altri autori (Persone) |
|
CottonRobert, Sir, <1571-1631.> |
|
|
|
|
|
|
Soggetti |
|
Manuscripts - Great Britain |
Library catalogs - Great Britain |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Includes index. |
Errata: preliminary p. [9]. |
Engraved frontispiece portrait of Robert Cotton opposite t.p. |
This item can be found at reels 548:17 and 1122:11. |
Imperfect : stained; title page creased. |
The Cottonian library was transferred to the British museum in 1757-cf. DNB. |
Item at reel 1122:11 identified as Wing C6483 (number cancelled). |
Reproduction of originals in the Huntington Library and Cambridge University Library. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910458910603321 |
|
|
Autore |
Wortham Simon |
|
|
Titolo |
Derrida : writing events / Simon Morgan Wortham |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London ; New York, : Continuum, 2008 |
|
|
|
|
|
|
|
ISBN |
|
1-4725-4635-0 |
1-282-87075-0 |
9786612870750 |
1-4411-0012-1 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (152 p.) |
|
|
|
|
|
|
Collana |
|
Continuum studies in Continental philosophy |
Continuum studies in philosophy |
|
|
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Events (Philosophy) |
Written communication |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references (pages [127]-142) and index |
|
|
|
|
|
|
Nota di contenuto |
|
Introduction : writing the event, or, citations from an archive of the future -- The archive and the anthological -- Writing obsession -- Writing friendship : Agamben and Derrida -- Anonymity writing pedagogy : Beckett, Descartes, Derrida -- Raelity -- Can dreaming be 'political'? : some questions on the politics of cultural studies : an interview with Paul Bowman -- End note : saying the event |
Introduction: Writing the Event, or Citations from an Archive of the Future -- 1. The Archive and the Anthological -- 2. Writing Obsession -- 3. Writing Friendship: Agamben and Derrida -- 4. Anonymity Writing Pedagogy: Beckett, Descartes, Derrida -- 5. Reality -- 6. Can Dreaming Be 'Political'?: Some Questions on the 'Politics' of Cultural Studies -- Endnote: Saying the Event -- Bibliography -- Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Derrida wrote a vast number of texts for particular events across the world, as well as a series of works that portray him as a voyager. As an Algerian émigré, a postcolonial outsider, and an idiomatic writer who felt tied to a language that was not his own, and as a figure obsessed by the singularity of the literary or philosophical event, Derrida emerges as one whose thought always arrives on occasion. But how are we to understand the event in Derrida? Is there a risk that such stories |
|
|
|
|
|
|
|
|
|
|
of Derrida's work tend to misunderstand the essential unpredictability at work in the conditions of his thought? And how are we to reconcile the importance in Derrida of the unknowable event, the pull of the singular, with deconstruction's critical and philosophical rigour and its claims to rethink more systematically the ethico-political field. This book argues that this negotiation in fact allows deconstruction to reformulate the very questions that we associate with ethical and political responsibility and shows this to be the central interest in Derrida's work |
|
|
|
|
|
| |