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1. |
Record Nr. |
UNISA996396947903316 |
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Autore |
Taylor John <1580-1653.> |
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Titolo |
The hellish Parliament being a counter-Parliament to this in England, containing the demonstrative speeches and statutes of that court [[electronic resource] ] : together with the perfect league made between the two hellish factions the papists and the Brownists |
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Pubbl/distr/stampa |
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Descrizione fisica |
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Soggetti |
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Great Britain History Charles I, 1625-1649 Sources |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Attributed to John Taylor. Cf. BM. |
Illustrated t.p. |
Reproduction of original in Thomason Collection, British Library. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910961875703321 |
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Autore |
Pepe Peter <1952-> |
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Titolo |
Documentary filmmaking for archaeologists / / Peter Pepe and Joseph W. Zarzynski |
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Pubbl/distr/stampa |
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Walnut Creek, California, : Left Coast Press, Inc., 2012 |
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ISBN |
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1-315-43023-1 |
1-315-43024-X |
1-315-43025-8 |
1-61132-203-0 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (231 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Motion pictures in archaeology |
Archaeology - Methodology |
Documentary films - Production and direction |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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First published 2012 by Left Coast Press, Inc. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; Illustrations; Acknowledgments; Introduction; Chapter 1: Forming the Archaeologist/Documentary Filmmaker Team; Chapter 2: A Brief History of the Documentary Film Genre; Chapter 3: The Introduction of Home Video, Television, and Documentary Film making; Chapter 4: Production Equipment and Screen and Standards Formats; Chapter 5: The Popularity of Documentaries; Chapter 6: The Stages of Documentary Film Production; Chapter 7: Considering Making a Documentary-Your Idea and Title; Chapter 8: Pitching a Proposal and Writing a Treatment |
Chapter 9: Developing a Budget and Securing a Contract Chapter 10: Shaping Your Archaeological Documentary; Chapter 11: From Outline to First Script; Chapter 12: Pre-production-Production Costs, Funding, Assembling the Crew, Compiling the Shot List, and On and On; Chapter 13: The Art of the Interview and B-roll; Chapter 14: Work Following the Interviews and B-roll; Chapter 15: Choosing the Narrator and Other Voice Talent; Chapter 16: Shot Making; Chapter 17: Shooting |
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Reenactments for Your Documentary |
Chapter 18: Using Still Photography, Historic Film Footage, Illustrations, Maps, Historic Newspapers, and Animation Chapter 19: Post production and Editing; Chapter 20: Thoughts on the Beginning and the End of Your Documentary Film; Chapter 21: The Digital Revolution and Its Role in Documentary Film making; Chapter 22: Television, Theatrical Release, Finding a Distributor, Self-Distribution, and Other Outlets; Chapter 23: Promoting Your Documentary; Chapter 24: Documentaries in Miniature; Chapter 25: Creating Your Trailer; Chapter 26: Conclusion; Appendix 1: Sample Documentary Proposal |
Appendix 2: Documentary Treatment Appendix 3: The Lost Radeau Video Script; Appendix 4: Simplified Sample Budget Outline; Glossary; References; Index; About the Authors |
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Sommario/riassunto |
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Documentary film maker Peter Pepe and historical archaeologist Joseph W. Zarzynski provide a concise guide to film making designed to help archaeologists navigate the unfamiliar world of documentary film. They offer a step-by-step description of the process of making a documentary, everything from initial pitches to production companies to final cuts in the editing. Using examples from their own award-winning documentaries, they focus on the needs of the archaeologist: Where do you fit in the project? What is expected of you? How can you help your documentarian partner? The authors provide |
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