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1. |
Record Nr. |
UNISOBSOB021443 |
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Autore |
Campailla, Sergio |
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Titolo |
Fingere l'infinito : l'ascolto dei Canti di Giacomo Leopardi / Sergio Campailla |
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Pubbl/distr/stampa |
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Titolo uniforme |
Fingere l'infinito |
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ISBN |
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Descrizione fisica |
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Collana |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA996396742303316 |
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Autore |
Ker George |
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Titolo |
A discouerie of the unnaturall and traiterous conspiracie of Scottisch Papists, against God, his kirk, their natiue cuntrie, the kingis Majesties persone and estate; set downe, as it was confessed and subscriuit be M. George Ker, yet remaining in prisone, and David Grahame of Fentrie, iustly executed for his treason in Edinburgh, the 15. of Februarie. 1592. Whereunto are annexed, certaine intercepted letters, written by sundrie of that factioun to the same purpose. Printed and publisched at the speciall commaund of the Kingis Maiestie [[electronic resource]] |
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Pubbl/distr/stampa |
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At Edinburgh, : Printed by Robert VValdegraue, printer to the Kingis Maiestie. Cum priuilegio regali, [1593] |
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Descrizione fisica |
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Altri autori (Persone) |
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GrahameDavid |
DavidsonJohn <ca. 1549-1603.> |
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Soggetti |
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Counter-Reformation - Scotland |
Church and state - Scotland |
Scotland History James VI, 1567-1625 Early works to 1800 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Publication date from STC. |
Probably compiled by John Davidson. Cf. Johnstone, J.F.K., "Bibliographia Aberdonensis", v. 1, p. 90. |
Running title reads: A discouerie of the Spanized Scottisch traitours. |
Signatures: A-D⁴. |
Formerly also STC 14936. |
Reproduction of the original in the Harvard University. Library. |
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3. |
Record Nr. |
UNINA9910783794703321 |
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Autore |
Keith W. J |
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Titolo |
Canadian odyssey [[electronic resource] ] : a reading of Hugh Hood's The new age/Le nouveau siècle / / W.J. Keith |
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Pubbl/distr/stampa |
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Montreal ; Ithaca, : McGill-Queen's University Press, c2002 |
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ISBN |
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1-282-86033-X |
9786612860331 |
0-7735-7008-X |
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Descrizione fisica |
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1 online resource (222 p.) |
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Disciplina |
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Soggetti |
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Domestic fiction, Canadian - History and criticism |
Canada In literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references (p. [203]-207) and index. |
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Nota di contenuto |
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Front Matter -- Contents -- Preface -- Introductory: Reading Hugh Hood -- The Mythos of Canadian Life -- The Making of The New Age -- Roman-Fleuve -- Hood and His Precursors -- Towards the New Age -- The Swing in the Garden -- A New Athens -- Reservoir Ravine -- Black and White Keys -- The Scenic Art -- The Motor Boys in Ottawa -- |
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Tony’s Book -- Property and Value -- Be Sure to Close Your Eyes -- Dead Men’s Watches -- Great Realizations -- Near Water -- Conclusion: Rereading Hugh Hood -- Notes -- Bibliography -- Index |
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Sommario/riassunto |
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Published between 1975 and 2000 and completed shortly before his death, Hugh Hood's twelve-volume novel-series The New Age/Le nouveau siècle represents a major achievement in Canadian fiction. Hood takes us on a remarkable, though challenging, journey in time and space while chronicling the life of his intellectually inquisitive protagonist, Matt Goderich. Moving from history and politics to literature and the arts, from popular song to the vagaries of fashion, from urban stress to the relaxations of cottage-country, these novels explore the texture of Canadian life with a depth and comprehensiveness that, when fully grasped, are dazzling. In Canadian Odyssey W.J. Keith steers general readers and specialist students alike through the complexities of Hood's scheme. He presents biographical information about the planning and writing of the series, places it among other examples of "Roman-Fleuve," offers background concerning Hood's literary influences, and provides novel-by-novel discussions of each book. Written in a straightforward style, avoiding jargon and the excesses of literary theory, Canadian Odyssey makes a convincing case for The New Age as a great Canadian masterpiece. |
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