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Record Nr. |
UNISA996396216603316 |
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Autore |
Norden John <1548-1625?> |
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Titolo |
A load-starre to spirituall life. Or, a Christian familiar motiue to the most sweet and heauenly exercise of diuine prayer [[electronic resource] ] : With prayers for morning and euening. Written to stir vp all men to watchfulnesse and reformation of their carnall and corrupt liues. By I. Norden |
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Pubbl/distr/stampa |
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London, : Printed by William Stansby, 1614 |
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Descrizione fisica |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Pages 201, 205 and 214-15 misnumbered 177, 204 and 215-14. |
Some pages stained and torn. |
Reproduction of the original in Cambridge University Library. |
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2. |
Record Nr. |
UNINA9910965188603321 |
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Autore |
Caicedo Patricia |
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Titolo |
The Latin American Art Song : Sounds of the Imagined Nations / / Patricia Caicedo |
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Pubbl/distr/stampa |
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Maryland : , : Lexington Books, , 2018 |
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New York : , : Bloomsbury Publishing (US), , 2025 |
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ISBN |
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9781978735538 |
1978735537 |
9781498581639 |
1498581633 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (167 p.) |
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Disciplina |
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Soggetti |
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Songs |
Nationalism in music |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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The sounds of the imagined nations -- A creative storm -- New facets of the concept of nationalism in the twentieth century -- Toward a musical transnationalism or the dissolution of borders -- Performance practice of Latin American art song. |
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Sommario/riassunto |
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Taking as a thread the concept of national identity, this book elucidates the sound transformations that have taken place in the world of the Latin American art song since its appearance in the late nineteenth century to the present day. The book focuses in the art songs of Brazil, Argentina, Cuba, Venezuela, Bolivia, Peru, and Colombia. The book addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation. In songs, spaces of representation and cathartic tools thought, language and music have been at the service of some interests, fulfilling specific functions in the construction of the nation. In them, we observe that the construction of identity is a continuous, constant and changing process in which different stories are superimposed. Seen this way, songs are historical texts where social interactions are reflected, and the past, the present and the future are constantly negotiated. The book also addresses the |
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subject of performance practice of the Latin American song and ends with a proposal for its interpretation. |
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