| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNISA996395810603316 |
|
|
Titolo |
The declaration of the decree made by the Generall States of the Vnited Netherland Prouinces against certaine Arminians, or remonstrants, for their perpetuall banishment [[electronic resource] ] : dated the 15. of Iuly, 1619, Stilo Nouo / / translated out of the Dutch copy, printed at the Grauenhage by Hillebrant Iacobssz . |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London, : Printed by Felix Kyngston for Nathaniel Newbery, and are to be sold at the Signe of the Starre, vnder Saint Peters Church in Cornehill, and in Popes-head Alley, 1619 |
|
|
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Soggetti |
|
Remonstrants |
Netherlands Church history 17th century |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Signatures: A⁴ B² (A1, B2 blank) |
Reproduction of original in the Trinity College (University of Cambridge). Library. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNISA996204710603316 |
|
|
Titolo |
Power engineering |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
[Tulsa, OK, etc.], : [PennWell Pub. Co., etc.] |
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Mechanical engineering |
Génie mécanique - Périodiques |
Periodicals. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Periodico |
|
|
|
|
|
Note generali |
|
The engineering magazine of power generation. |
No. 12 of each vol. is the buyer's guide for that year. |
Refereed/Peer-reviewed |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3. |
Record Nr. |
UNINA9910789832203321 |
|
|
Autore |
Langford Martha |
|
|
Titolo |
Scissors, paper, stone [[electronic resource] ] : expressions of memory in contemporary photographic art / / Martha Langford |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Montreal, : McGill-Queen's University Press, 2007 |
|
|
|
|
|
|
|
ISBN |
|
1-282-86730-X |
9786612867309 |
0-7735-7686-X |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (365 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Memory in art |
Photography, Artistic |
Photography - Canada |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Introduction : scissors, paper, stone -- Remembering and forgetting -- Lives of the artists -- Reflections on reflection -- A forgotten man -- Memory/false memory -- Memory and imagination -- Exchange places -- Object-image-memory -- Persistent paths -- Mimics -- Memory and history -- Agit-prompters -- Repossessions -- The pictures that we have -- Flashbulb memories? -- Markers -- Conclusion : is photography an art of memory? |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Finalist: Raymond Klibansky Book Prize Humanities and Social Sciences Federation of Canada (2008) Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of |
|
|
|
|
|
|
|
|
|
|
photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Condé and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory. |
|
|
|
|
|
| |