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Record Nr. |
UNISA996395603303316 |
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Autore |
Sprat Thomas <1635-1713.> |
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Titolo |
A relation of the late wicked contrivance of Stephen Blackhead and Robert Young, against the lives of several persons, by forging an association under their hands [[electronic resource] /] / written by the Bishop of Rochester. In two parts: the first part being a relation of what passed at the three examinations of the said Bishop by a committee of Lords of the Privy-Council. The second being an account of the two above-mentioned authors of the forgery |
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Pubbl/distr/stampa |
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[London] ; ; In the Savoy, : Printed by Edward Jones, MDCXCIII. [1693] |
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Edizione |
[The second edition.] |
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Descrizione fisica |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bishop of Rochester = Thomas Sprat. Cf. Wing (2nd ed.). |
The second part has separate dated title page, pagination, and register, and was also issued separately (Wing S5051). With initial imprimatur leaf, dated 'November 25, 1692. Edmund Bohun.' |
Reproduction of original in: Henry E. Huntington Library and Art Gallery. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910783806603321 |
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Autore |
Stam Robert <1941, > |
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Titolo |
New vocabularies in film semiotics : structuralism, post-structuralism, and beyond / / Robert Stam, Robert Burgoyne, and Sandy Flitterman-Lewis |
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Pubbl/distr/stampa |
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London ; ; New York : , : Routledge, , 1992 |
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ISBN |
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1-134-96316-5 |
1-134-96317-3 |
1-280-11107-0 |
0-203-97719-X |
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Descrizione fisica |
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1 online resource (262 p.) |
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Collana |
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Altri autori (Persone) |
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BurgoyneRobert <1949-> |
Flitterman-LewisSandy <1946-> |
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Disciplina |
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Soggetti |
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Motion pictures - Philosophy |
Motion pictures - Semiotics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Book Cover; Half-Title; Title; Copyright; Dedication; CONTENTS; CONTRIBUTORS; PREFACE; I THE ORIGINS OF SEMIOTICS; II CINE-SEMIOLOGY; III FILM-NARRATOLOGY; IV PSYCHOANALYSIS; V FROM REALISM TO INTERTEXTUALITY; BIBLIOGRAPHY; INDEX OF TERMS; |
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Sommario/riassunto |
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The authors address key aspects of contemporary semiotic and cultural debate--for example Metz's semiotics, Genette's narratology, the feminism of Mary Ann Doane, and Bakhtinian concepts. The book explores linguistically-oriented terminology in cinema studies; the semiotics of film narrative; the psycho-semiology of the cinema; and intertextuality, discourse, and transtextuality. References to individual films drawn from the work of a wide range of directors including Orson Welles, D.W. Griffiths, Alain Resnais, Jean-Luc Godard, Alfred Hitchcock, Jean Cocteau, and Chantal Akerman illustrate th |
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