| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910450560403321 |
|
|
Autore |
Ardis Ann L. <1957-> |
|
|
Titolo |
Modernism and cultural conflict, 1880-1922 / / Ann L. Ardis [[electronic resource]] |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Cambridge : , : Cambridge University Press, , 2002 |
|
|
|
|
|
|
|
ISBN |
|
1-107-13278-9 |
1-280-16115-9 |
1-139-14844-3 |
0-511-12032-X |
0-511-06455-1 |
0-511-05822-5 |
0-511-32587-8 |
0-511-48497-6 |
0-511-07301-1 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (ix, 187 pages) : digital, PDF file(s) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
English literature - 20th century - History and criticism |
Modernism (Literature) - Great Britain |
Culture conflict - Great Britain |
Culture conflict in literature |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references (p. 177-182) and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Introduction: Rethinking Modernism, remapping the turn of the twentieth century -- Beatrice Webb and the 'serious' artist -- Inventing literary tradition, ghosting Oscar Wilde and the Victorian Fin de Sic̈le -- The Lost Girl, Tarr, and the 'Moment' of Modernism -- Mapping the middlebrow in Edwardian England -- 'Life is not composed of watertight compartments': the New Age's Critique of Modernist Literary Specialization -- Conclusion: Modernism and English studies in history. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural |
|
|
|
|
|
|
|
|
|
|
|
|
|
work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices. |
|
|
|
|
|
|
2. |
Record Nr. |
UNISA996394557103316 |
|
|
Titolo |
The Holy Bible [[electronic resource] ] : containing the Old Testament and the New. Newly translated out of the originall tongues, and with the former translations diligently compared and revised. By his Majesties commaud. [sic] Appointed to be read in churches |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London, : printed by the assigns of J. Bill, T. Newcomb and Hen. hills, [sic] printers to the Kings most excellent Maiesty, 1684 |
|
|
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
At foot of title: Cum privilegio. |
Signatures: pi¹ A-3D¹² 3Eâ¶. |
"The New Testament of our Lord & Saviour Jesus Christ" has separate dated title page; register is continuous. |
Reproduction of the original in the British and Foreign Bible Society. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
|
|
|
|
| |