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1. |
Record Nr. |
UNISA996393715403316 |
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Titolo |
Colloquia et dictionariolum septem linguarum, Belgicæ, Anglicæ, Teutonicæ, Latinæ, Italicæ, Hispanicæ, Gallicæ [[electronic resource] ] : Liber omnibus linguarum studiosis domi ac foris apprime necessarius. Colloques ou dialogues, auec vn dictionaire en sept languages, Flamen, Anglois, Alleman, Latin, Italien, Espaignol, & Francois: nouuellement reueueus, corrigez, & augmentez de quatre dialogues; tresprofitables & vtils, tant au faict de marchandise, qu'aux voiages & aultres traffiques. Colloquien oft samensprectingen, met eenen vocabulaer in seuen spraken, Fieerduntsch, Engelsch, Hoochduntsch, Latijn, Italiens, Spaens, ende Fransois; van nieus verbetert ende vermeerdert van vier colloquien, seer nut ende profitelict tot der coopmanschap, rense, ende anderen handelinghen |
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Pubbl/distr/stampa |
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In Venetia, : appresso Giouanni Alberti, MDCVI. [1606] |
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Descrizione fisica |
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Altri autori (Persone) |
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BerlemontNoël de <d. 1531.> |
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Soggetti |
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Dictionaries, Polyglot |
Polyglot glossaries, phrase books, etc |
Languages, Modern |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Dutch, English, German, Latin, French, Spanish, and Italian in parallel columns. |
An anonymous multilingual vocabulary based on Noël de Berlemont's Flemish-French colloquies and dictionary of which the earliest surviving edition is Antwerp, 1536. |
Signatures: A-2C. |
Reproduction of original in the Folger Shakespeare Library. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNIORUON00285329 |
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Titolo |
El fuero de Baeza : edición, estudio y vocabulario (avec résumé en francais) / Jean Marie Victor Roudil |
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Pubbl/distr/stampa |
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La Haya, : G. B. van Goor Zonen's U. M., 1962 |
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Descrizione fisica |
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482 p., [6] c. di tav., [2] p. di c. geogr. ; 23 cm. |
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Disciplina |
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Soggetti |
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BAEZA - Storia |
Diritto - Spagna - Storia |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9911008468903321 |
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Autore |
Mazzeno Laurence W. |
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Titolo |
Alfred Tennyson : the critical legacy / / Laurence W. Mazzeno |
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Pubbl/distr/stampa |
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Suffolk : , : Boydell & Brewer, , 2004 |
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ISBN |
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1-281-94917-5 |
9786611949174 |
1-57113-646-0 |
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Descrizione fisica |
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1 online resource (239 pages) : digital, PDF file(s) |
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Collana |
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Studies in English and American literature and culture. Literary criticism in perspective |
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Classificazione |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 02 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Tennyson among his contemporaries : 1827-1892 -- A mixed legacy : 1892-1916 -- Criticism pro and con : 1916-1959 -- The Tennyson revival : 1960-1969 -- The height of critical acclaim : 1970-1980 -- |
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Tennyson among the poststructuralists : 1981-1989 -- Tennyson fin-de-siècle : 1990-2000 -- A twenty-first century prospectus. |
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Sommario/riassunto |
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Alfred Tennyson: The Critical Legacy' explores the critics' reaction to the work of the nineteenth-century English poet most closely associated with the Victorian era. Perhaps more than any other Victorian poet, Tennyson's reputation has waxed and waned in the century since his death. He has been alternatively sanctified and vilified for his choice of subject matter, social outlook, morality, or techniques of versification. His reputation has weathered even the most vitriolic attempts to discredit both the man and his writings; and as criticism of the late twentieth century demonstrates, Tennyson's claim to pre-eminence among the Victorians is now unchallenged. Laurence Mazzeno begins this narrative analysis of Tennyson criticism with an look at how Tennyson was regarded by his contemporaries, before launching a detailed examination of twentieth-century criticism. A chapter is devoted to the period immediately following Tennyson's death, when a generation of post-Victorians reacted violently against what they considered his sappy sentimentalism, cloying moralism, and insensitive jingoism. Subsequent chapters describe how critics resurrected Tennyson, highlighting both his technical mastery and his social criticism. Special attention is given to major biographers and critics such as Harold Nicolson, the poet's grandson Sir Charles Tennyson, Jerome Buckley, R. B. Martin, Michael Thorn, and Peter Levi. A final chapter focuses on the ways Tennyson and his work have been addressed by poststructuralist critics. Throughout the study, Mazzeno demonstrates that the critics' reaction to Tennyson reveals as much about themselves and the critical prejudices of their own times as it does about the Victorian Laureate and his poetry. Laurence W. Mazzeno is president emeritus of Alvernia College, Reading, Pennsylvania. |
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