| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNISA996417466803316 |
|
|
Titolo |
McGraw-Hill's utility environment report |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York, N.Y., : McGraw-Hill, c1990- |
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Electric power systems - Environmental aspects - United States |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Periodico |
|
|
|
|
|
Note generali |
|
|
|
|
|
|
2. |
Record Nr. |
UNISA996393658303316 |
|
|
Autore |
Rabisha William |
|
|
Titolo |
The whole body of cookery dissected, taught, and fully manifested, methodically, artificially, and according to the best tradition of the English, French, Italian, Dutch, &c. Or, A sympathy of all varieties in naturall compounds in that mystery [[electronic resource] ] : Wherein is contained certain bills of fare for the seasons of the year, for feasts and common diets. Whereunto is annexed a second part of rare receipts of cookery: with certain useful traditions. With a book of preserving, conserving and candying, after the most exquisite and newest manner: delectable for ladies and gentlewomen |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London, : printed George Calvert at the Half-moon, and Ralph Simpson at the Harp, in St. Paul's Church-yard, 1682 |
|
|
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Soggetti |
|
Cookery |
Canning and preserving |
Menus |
Curiosities and wonders - England |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
|
|
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Dedication signed: Will. Rabisha. |
With an index on pp. 1-19 (first series). |
"A great feast made by George Nevill Chancellor of England, and Arch-Bishop of York, in the dayes of Edward the Fourth, 1468" at end of text. |
Reproduction of original in the Wellcome Institute for the History of Medicine, London, England. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
|
|
|
|
|
3. |
Record Nr. |
UNINA9910787530303321 |
|
|
Autore |
Mize Britt |
|
|
Titolo |
Traditional subjectivities : the Old English poetics of mentality / / Britt Mize |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2013 |
|
©2013 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (304 p.) |
|
|
|
|
|
|
Collana |
|
Toronto Anglo-Saxon series ; ; 12 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
English poetry - Old English, ca. 450-1100 - History and criticism |
Folk poetry, English (Old) - History and criticism |
Oral tradition - England - History - To 1500 |
Characters and characteristics in literature |
Subjectivity in literature |
Emotions in literature |
England |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Introduction. The Variety and Extent of Emphasis on Mentality in Old English Poetry ; The Priority of Subjectivity over Subject in Old English Poetic Tradition ; Preliminaries to Further Analysis -- 1 The Poetics of Mentality. Genesis A's Relationship to Latin Learning and to Scripture ; |
|
|
|
|
|
|
|
|
|
|
|
Traditionalizing Scripture: Genesis A's Poetics of Mentality -- 2 Traditional Diction, Emergent Subjectivities Interpreting Traditional Diction. What We Can Learn from Genesis B ; Genesis B and the Making of Old English Verse -- 3 Traditional Subjectivities in the Political World. The Nature and Relationship of the Two Texts of the Boethius ; Metre 1's Traditional Poetics of Mentality ; Traditionalism and Interpretation -- Conclusions. |
|
|
|
|
|
|
Sommario/riassunto |
|
Mize synthesizes two previously disconnected bodies of theory to advance our understanding of how traditional phraseology makes meaning, as well as illuminate the political and social dimensions of surviving texts, through attention to Old English poets' impulse to explore subjective perspectives. |
|
|
|
|
|
|
|
| |