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1. |
Record Nr. |
UNISA996393083303316 |
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Autore |
Laney Benjamin <1591-1675.> |
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Titolo |
Five sermons, preached before His Majesty at Whitehall, published severally by command, and now printed together, tending all to give satisfaction in certain points to such who have thereupon endeavoured to unsettle the state and government of the church [[electronic resource] /] / by B. Lord Bishop of Ely |
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Pubbl/distr/stampa |
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London, : Printed for Timothy Garthwait, 1669 |
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Descrizione fisica |
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Altri autori (Persone) |
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LaneyBenjamin <1591-1675.> |
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Soggetti |
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Sermons, English - 17th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Reproduction of original in Union Theological Seminary Library, New York. |
Added t.p.: Two sermons, of prayer to God, and of hearing his word, preached at Whitehall before the King in Lent, by ... B. Lord Bishop of Ely, 1668. |
"The study of quiet, in two sermons ..." 1668, has special t.p. |
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Nota di contenuto |
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The shepherd -- Two sermons -- The study of quiet. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910709801203321 |
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Autore |
Fechter-Leggett Ethan D. |
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Titolo |
Evaluation of exposures and respiratory health at a coffee processing facility / / Ethan D. Fechter-Leggett, Randy J. Boylstein, Marcia L. Stanton |
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Pubbl/distr/stampa |
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Morgantown, WV : , : U.S. Department of Health and Human Services, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, , 2017 |
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Descrizione fisica |
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1 online resource (v, 46 pages) : illustrations (some color) |
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Collana |
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Report ; ; no. 2015-0147-3266 |
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Soggetti |
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Coffee industry - Employees - Health and hygiene - United States |
Coffee - Processing - United States |
Volatile organic compounds - Threshold limit values - United States |
Respiratory infections - United States |
Flavoring essences - United States |
Ventilation - United States |
Industrial hygiene - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references (pages 39-43). |
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3. |
Record Nr. |
UNINA9910811092303321 |
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Autore |
Willmott Glenn <1963-> |
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Titolo |
McLuhan, or modernism in reverse / / Glenn Willmott |
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Pubbl/distr/stampa |
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Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1996 |
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©1996 |
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ISBN |
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1-282-00823-4 |
9786612008238 |
1-4426-7714-7 |
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Descrizione fisica |
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1 online resource (279 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Mass media - Philosophy |
Mass media criticism |
Modernism (Aesthetics) |
Postmodernism |
Criticism, interpretation, etc. |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction: McLuhan's Medium -- 1. The Art of Criticism -- 2. The Art of Montage -- 3. Symbolic Reversals -- 4. The Art of Politics -- 5. Technological Reversals -- 6. The Modern Primitive -- 7. The Postmodern Mask -- 8. The Postmodern Medium -- 9. Being There -- Conclusion: McLuhan's Message. |
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Sommario/riassunto |
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He re-evaluates McLuhan as a thinker and writer who moved along the borders of academic and popular culture, and locates him as an integral presence in the history of modern critical thought. The book is divided into two parts, representing modern and postmodern periods. Willmott examines McLuhan's relationship to critical and aesthetic modernism, and political and historical sense of modernity in North America, from the early 1930s to the 1950s. This relationship led McLuhan to articulate and practise what Willmott calls a 'modernism in reverse.' Willmott examines the postmodern practice of this critical aesthetic, from the 1950s to the 1970s, which entailed McLuhan's self- |
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commodification in art, business, and popular culture. |
Our lives are increasingly dominated by new forms of image, sound, data, and language media. Marshall McLuhan called this new order of things the Global Village, and he strove to be true to it as the media-popular 'McLuhan.' Having little use for traditional critical forms or values, and courting instead the discourses of popular culture and big business, McLuhan displayed the authentic, ambivalent place of critical self-reflection in our media-centred world. McLuhan, according to Willmott, must be understood as a vital link in a generation of modern and postmodern critics, one who extracted modernist forms and values from the deconstructions of postmodern culture, and one who forced into public view the emergence of the critical intellectual as 'being-in-media.' Willmott's book fills the need for a first critical, historical, and theoretical re-reading of McLuhan's literary and cultural projects. |
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