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1. |
Record Nr. |
UNISA996392883103316 |
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Autore |
Collinges John <1623-1690.> |
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Titolo |
A nevv lesson for the Indoctus Doctor: or rather, A fescue, and a pair of spectacles to help him to read the former, better [[electronic resource] ] : Containing a vindication of a book called Indoctus Doctor Edoctus, from the impertinent bablings of a late libellous pamphlet against it, published under the name of Theophilus Brabourn, formerly Bolt-Poake, Weaver, Hosier, and Maltster, now a nonsensicall scribler in the city of Norw: with a vindication of the author of the aforesaid book, as also of Reverend Mr. Perkins, and of some truths of God, from the impudent lies, prophane and scurrilous expressions in the forementioned libell cast upon them. By J. Collinges B.D. and preacher of the gospel in Norwich |
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Pubbl/distr/stampa |
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London, : Printed by J.G. for Joseph Cranford, at the Phœnix in Saint Paul's Church-yard, neer the little North-door., 1654 |
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Descrizione fisica |
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Soggetti |
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Separatists - England |
Sabbath |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Annotation on Thomason copy: "July. 24.". |
Reproduction of the original in the British Library. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910959694303321 |
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Autore |
Minestrelli Chiara |
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Titolo |
Australian indigenous hip hop : the politics of culture, identity, and spirituality / / Chiara Minestrelli |
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Pubbl/distr/stampa |
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New York ; ; London : , : Routledge, , 2017 |
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ISBN |
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1-317-21753-5 |
1-315-62063-4 |
1-317-21754-3 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (263 pages) |
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Collana |
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Routledge Studies in Hip Hop and Religion |
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Disciplina |
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Soggetti |
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Rap (Music) - Political aspects - Australia |
Rap (Music) - Social aspects - Australia |
Aboriginal Australians - History and criticism |
Hip-hop - Australia |
Music - Contemporary - Hip Hop |
Music - Contemporary - Rap |
Music - Theory and criticism |
Social identity - Mixed descent |
Social identity - Aboriginality |
Art - Artists - Women |
Language |
Social behaviour |
Religion |
Art - Artists - Men |
Politics and Government - Political action - Activism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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1. "The Black from Down-Unda" : contact Zones and cultures of Black resistance -- 2. "2 Black 2 Strong" : the politics of Blackness and identification -- 3. 'Indigenous Hip Hop' : the politics of identity and representation -- 4. "Know our True Identity" : indigenous articulations of identity through kin, place, and spirituality -- 5. Hip hop and |
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Australian indigenous youth : new modes of political participation. |
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Sommario/riassunto |
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This book investigates the discursive and performative strategies employed by Australian Indigenous rappers to make sense of the world and establish a position of authority over their identity and place in society. Focusing on the aesthetics, the language, and the performativity of Hip Hop, this book pays attention to the life stance, the philosophy, and the spiritual beliefs of Australian Indigenous Hip Hop artists as 'glocal' producers and consumers. With Hip Hop as its main point of analysis, the author investigates, interrogates, and challenges categories and preconceived ideas about the critical notions of authenticity, 'Indigenous' and dominant values, spiritual practices, and political activism. Maintaining the emphasis on the importance of adopting decolonizing research strategies, the author utilises qualitative and ethnographic methods of data collection, such as semi-structured interviews, informal conversations, participant observation, and fieldwork notes. Collaborators and participants shed light on some of the dynamics underlying their musical decisions and their view within discussions on representations of 'Indigenous identity and politics'. Looking at the Indigenous rappers' local and global aspirations, this study shows that, by counteracting hegemonic narratives through their unique stories, Indigenous rappers have utilised Hip Hop as an expressive means to empower themselves and their audiences, entertain, and revive their Elders' culture in ways that are contextual to the society they live in. |
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