A collection of the lawes & statutes of this realme concerning liueries of companies and reteynours [[electronic resource]]

• Record Nr.: UNISA996391633303316
• Pubbl/distr/stampa: [London], : In ædibus Richardi Tottelli, Anno. 1571. [i.e. 1572] Februarij. 17
• Descrizione fisica: [2], 39, [5] leaves
• Soggetti: Livery
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: At foot of title: Cum priuilegio.; The year date is given according to Lady Day dating.; Includes a reprint of the proclamation of 14 Jan. 1572.; Identified as STC 9310 on UMI microfilm, reel 220.; Reproductions of the originals in the Henry E. Huntington Library and Art Gallery and the Emmanuel College (University of Cambridge). Library.; Appears at reel 457 (Henry E. Huntington Library and Art Gallery copy) and at reel 220 (Emmanuel College (University of Cambridge). Library copy).
• Sommario/riassunto: eebo-0216

The cinema and the origins of literary modernism / / Andrew Shail

• Record Nr.: UNINA9910959925303321
• Autore: Shail Andrew <1978->
• Pubbl/distr/stampa: New York, : Routledge, 2012; New York : , : Routledge, , 2012
• ISBN: 1-136-45515-9; 0-203-12628-9; 1-283-84267-X; 1-136-45516-7
• Edizione: [1st ed.]
• Descrizione fisica: 1 online resource (269 p.)
• Collana: Routledge interdisciplinary perspectives on literature ; ; 7
• Disciplina: 820.9/112
• Soggetti: Motion pictures and literature; English literature - 20th century - History and criticism; Modernism (Literature) - Great Britain
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Cover; Title; Copyright; Dedication; Contents; Note on Presentation; List of Figures; Acknowledgments; Introduction: From 'The Cinematograph' to 'The Pictures'; 1 The Cinema of Narrative Integration, the Demise of Impressionism and the Rise of Modernism; 2 Cinema's Continuous Present and Modernist Temporality; 3 Mass Consciousness and Mass Cinema; Afterword: 'a picture feverishly turned'; Notes; Bibliography; Index
• Sommario/riassunto: Modernist writing has always been linked with cinema. The recent renaissance in early British film studies has allowed cinema to emerge as a major historical context for literary practice. Treating cinema as a historical rather than an aesthetic influence, this book analyzes the role of early British film culture in literature, thus providing the first account of cinema as a cause for modernism. Shail's study draws on little-known sources to create a detailed picture of cinema following its 'second birth' as both institution and medium. The book presents a comprehensive