1.

Record Nr.

UNISA996391387503316

Titolo

Articles vvhereupon it was agreed by the archbishops and bishops of both prouinces, and the whole clergie [[electronic resource] ] : in the Conuocation holden at London in the yeere of our Lord God 1562. According to the computation of the Church of England. For the auoyding of diuersities of opinions, and for the stablishing of consent touching true religion

Pubbl/distr/stampa

Imprinted at London, : By Robert Barker, Printer to the Kings most excellent Maiestie, Anno 1616

Descrizione fisica

[24] p

Altri autori (Persone)

Charles, King of England,  <1600-1649.>

Soggetti

Canon law

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

The Thirty-nine Articles of 1563.

Signatures: A-C⁴.

Running title reads: Articles of religion.

Identified as STC 10058a on UMI microfilm.

Imperfect; trimmed at top affecting title.

Reproduction of the original in the Bodleian Library.

Sommario/riassunto

eebo-0014



2.

Record Nr.

UNINA9910955170403321

Autore

Charon Rita

Titolo

Narrative medicine : honoring the stories of illness / / Rita Charon

Pubbl/distr/stampa

Oxford ; ; New York, : Oxford University Press, 2006

ISBN

0-19-770770-X

0-19-988321-1

1-280-84077-3

0-19-975985-5

1-4294-0276-8

Edizione

[1st ed.]

Descrizione fisica

1 online resource (266 pages)

Collana

Oxford scholarship online.

Disciplina

616.07/51

Soggetti

Narrative medicine

Narration (Rhetoric)

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Previously issued in print: 2006.

Nota di bibliografia

Includes bibliographical references (p. 239-258) and index.

Nota di contenuto

Intro -- Contents -- Part I: WHAT IS NARRATIVE MEDICINE? -- 1 The Sources of Narrative Medicine -- 2 Bridging Health Care's Divides -- 3 Narrative Features of Medicine -- Part II: NARRATIVES OF ILLNESS -- 4 Telling One's Life -- 5 The Patient, the Body, and the Self -- Part III: DEVELOPING NARRATIVE COMPETENCE -- 6 Close Reading -- 7 Attention, Representation, and Affiliation -- 8 The Parallel Chart -- Part IV: DIVIDENDS OF NARRATIVE MEDICINE -- 9 Bearing Witness -- 10 The Bioethics of Narrative Medicine -- 11 A Narrative Vision for Health Care -- References -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.

Sommario/riassunto

Narrative medicine emerged in response to a commodified health care system that places corporate and bureaucratic concerns over the needs of the patient. This book provides an introduction to the principles of narrative medicine and guidance for implementing narrative methods.



3.

Record Nr.

UNINA9910973956503321

Autore

Biddle Ian D

Titolo

Music, masculinity and the claims of history : the Austro-German tradition from Hegel to Freud / / Ian Biddle

Pubbl/distr/stampa

Burlington, Vt., : Ashgate, c2011

ISBN

1-317-09169-8

1-315-59688-1

1-138-26113-0

1-317-09168-X

1-283-23523-4

9786613235237

1-4094-2096-5

Edizione

[1st ed.]

Descrizione fisica

1 online resource (245 p.)

Disciplina

780.943

Soggetti

Music - Europe, German-speaking - 19th century - History and criticism

Music - Europe, German-speaking - 20th century - History and criticism

Masculinity in music

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Cover; Contents; List of Figures; Introduction; 1 Discourse Channels: Listening as a Cultural-Historical Category in the Austro-German Frühromantik; 3 Rage Against the Rabble: Gender Nostalgia and the Metropolitan Imagination in Heinrich Schenker's Kontrapunkt (1910 and 1922); 4 Song of the Body: Mahler, Kafka and the Male Jewish Body at the Habsburg fin de siècle; 5 Postlude; Bibliography; Index

Sommario/riassunto

What does it mean to think of Western Art music - and the Austro-German contribution to that repertory - as a tradition? How are men and masculinities implicated in the shaping of that tradition? And how is the writing of the history (or histories) of that tradition shaped by men and masculinities? This book seeks to answer these and other questions.