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1. |
Record Nr. |
UNISA990002828220203316 |
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Autore |
CRESTI, Emanuela |
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Titolo |
1: Introduzione / Emanuela Cresti |
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Pubbl/distr/stampa |
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Firenze : presso l'Accademia della Crusca, 2000 |
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Descrizione fisica |
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Collana |
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Studi di grammatica italiana / pubblicati dall'Accademia della Crusca |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA996391197803316 |
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Autore |
Hollingworth Richard <1607-1656.> |
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Titolo |
An examination of sundry Scriptures alleadged by our brethren, in defence of some particulars of their church-way [[electronic resource] ] : Humbly submitted to the sight and censure of any judicious divine: especially of such of the reverend godly-learned Assembly as vouchsafe to read it. By R. Hollingworth, M.A. of Magd. Col. Camb. Imprimatur, Ja. Cranford. Decemb. 17. 1644 |
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Pubbl/distr/stampa |
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London, : Printed by J.R. for Tho. Smith, and are to be sold at his shop at Manchester, 1645 |
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Descrizione fisica |
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Soggetti |
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Church polity |
Dissenters, Religious - England |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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At least the title page is a variant of Wing H2491, and of the edition with imprint "printed by J.R. for Tho. Smith" and the author identified only by his initials on title page. |
Annotation on Thomason copy: "Jan: 8th", "1644"; "5" in imprint date |
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crossed out. |
Reproduction of the original in the British Library. |
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Sommario/riassunto |
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3. |
Record Nr. |
UNINA9910476931103321 |
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Autore |
Greifenstein Sarah |
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Titolo |
Tempi der Bewegung - Modi des Gefühls |
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Pubbl/distr/stampa |
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Berlin/Boston, : De Gruyter, 2020 |
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Descrizione fisica |
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1 online resource (333 p.) |
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Collana |
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Soggetti |
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Film history, theory or criticism |
Films, cinema |
Media studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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What is the connection between the tempo of audiovisual images and the audience`s emotional experience? Examining the screwball comedy of the 30s and 40s, this study looks at comedy and hilarity as temporal structures. Exchanges of blows, puns, and verbal acrobatics are embedded in a complex composition of voices, facial expressions, gestures, and visual constructions. The audience experiences and enjoys combat and rage as an elegant pas de deux. |
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