1.

Record Nr.

UNISA990002828220203316

Autore

CRESTI, Emanuela

Titolo

1: Introduzione / Emanuela Cresti

Pubbl/distr/stampa

Firenze : presso l'Accademia della Crusca, 2000

Descrizione fisica

282 p. ; 24 cm

Collana

Studi di grammatica italiana / pubblicati dall'Accademia della Crusca

Collocazione

I.9.C.1/1

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNISA996391197803316

Autore

Hollingworth Richard <1607-1656.>

Titolo

An examination of sundry Scriptures alleadged by our brethren, in defence of some particulars of their church-way [[electronic resource] ] : Humbly submitted to the sight and censure of any judicious divine: especially of such of the reverend godly-learned Assembly as vouchsafe to read it. By R. Hollingworth, M.A. of Magd. Col. Camb. Imprimatur, Ja. Cranford. Decemb. 17. 1644

Pubbl/distr/stampa

London, : Printed by J.R. for Tho. Smith, and are to be sold at his shop at Manchester, 1645

Descrizione fisica

[2], 30 p

Soggetti

Church polity

Dissenters, Religious - England

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

At least the title page is a variant of Wing H2491, and of the edition with imprint "printed by J.R. for Tho. Smith" and the author identified only by his initials on title page.

Annotation on Thomason copy: "Jan: 8th", "1644"; "5" in imprint date



crossed out.

Reproduction of the original in the British Library.

Sommario/riassunto

eebo-0018

3.

Record Nr.

UNINA9910476931103321

Autore

Greifenstein Sarah

Titolo

Tempi der Bewegung - Modi des Gefühls

Pubbl/distr/stampa

Berlin/Boston, : De Gruyter, 2020

Descrizione fisica

1 online resource (333 p.)

Collana

Cinepoetics

Soggetti

Film history, theory or criticism

Films, cinema

Media studies

Lingua di pubblicazione

Tedesco

Formato

Materiale a stampa

Livello bibliografico

Monografia

Sommario/riassunto

What is the connection between the tempo of audiovisual images and the audience`s emotional experience? Examining the screwball comedy of the 30s and 40s, this study looks at comedy and hilarity as temporal structures. Exchanges of blows, puns, and verbal acrobatics are embedded in a complex composition of voices, facial expressions, gestures, and visual constructions. The audience experiences and enjoys combat and rage as an elegant pas de deux.