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1. |
Record Nr. |
UNISA996389925803316 |
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Autore |
Wied Hermann von |
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Titolo |
A simple, and religious consultation of vs Herman by the grace of God Archebishop of Colone, and prince Electour. [et] c. by what meanes a Christian reformation, and founded in Gods worde, of doctrine, administration of the deuine sacramentes, of ceremonies, and the hole cure of soules, and other ecclesiastical ministeries may be begon among men committed to our pastorall charge, vntil the Lorde graunt a better to be appoynted either by a free, and Christian cou[n]sayle, general, or national, or elles by the states of the empire of the natio[n] of Germanie, gathered together in the holye Gost [[electronic resource]] |
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Pubbl/distr/stampa |
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[London], : Imprinted [by John Daye], in the yere of our Lorde. 1547. the. xxx. of October. I[ohn] D[aye] |
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Descrizione fisica |
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Altri autori (Persone) |
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MelanchthonPhilip <1497-1560.> |
BucerMartin <1491-1551.> |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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A translation of "Einfaltigs Bedencken, warauff ein christliche in dem Wort Gottes gegrünte Reformation an Lehr, Brauch der heyligen Sacramenten un Ceremonien, Seelsorg und anderem Kirchendienst, biss auff eines freyen, christlichen, gemeinen oder nationals Concilii, oder dess Reichs Teutscher Nation Stende, im Heyligen Geyst versamelt, Verbesserung, bei denen so unserer Seelsorge befohlen, anzurichten seye", a compilation by Martin Bucer and Philipp Melanchthon. |
Printer's name from colophon. |
Signatures: a-y 2A-2Q 2R⁴. |
A8r has a woodcut of St. John the Evangelist. Variant: woodcut is of the Last Supper. |
Reproduction of the original in Cambridge University Library. |
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2. |
Record Nr. |
UNINA9910969439003321 |
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Autore |
Deazley Ronan |
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Titolo |
On the origin of the right to copy : charting the movement of copyright law in eighteenth-century Britain (1695-1775) / / Ronan Deazley |
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Pubbl/distr/stampa |
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Oxford [U.K.] ; ; Portland, Ore. : , : Hart Publishing, , 2004 |
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ISBN |
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9786610814039 |
9781472563064 |
1472563069 |
9781280814037 |
1280814039 |
9781847310385 |
1847310389 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (290 p.) |
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Disciplina |
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Soggetti |
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Copyright - Great Britain - History - 18th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (pages [239]-254) and index. |
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Nota di contenuto |
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Introduction -- 1. Politics, propaganda and profanity; not property -- 2. The Statute of Anne; A miserable Havock -- 3. Scraps of proceedings -- 4. Be careful what you wish for -- 5. The first: copyright at common law? A "complicated" action. The second: the lawyers' tales -- 6. Property and the pamphleteers -- 7. Millar v Taylor; the temporary perpetual triumph -- 8. Donaldson v Becket; a game of numbers -- 9. An ending and a beginning -- Conclusion -- Postscript. |
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Sommario/riassunto |
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"Taking as its point of departure the lapse of the Licensing Act 1662 in 1695, this book examines the lead up to the passage of the Statute of Anne 1709 and charts the movement of copyright law throughout the eighteenth century, culminating in the House of Lords decision in Donaldson v Becket (1774). The established reading of copyright's development throughout this period, from the 1709 Act to the pronouncement in Donaldson, is that it was transformed from a publisher's right to an author's right; that is, legislation initially designed to regulate the marketplace of the bookseller and publisher evolved into an instrument that functioned to recognise the proprietary |
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inevitability of an author's intellectual labours. The historical narrative which unfolds within this book presents a challenge to that accepted orthodoxy. The traditional analysis of the development of copyright in eighteenth-century Britain is revealed as exhibiting the character of long-standing myth, and the centrality of the modern proprietary author as the raison d'être of the copyright regime is displaced."--Bloomsbury Publishing. |
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