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1. |
Record Nr. |
UNISA996389325103316 |
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Autore |
Withals John |
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Titolo |
A dictionarie in English and Latine; [[electronic resource] ] : deuised for the capacity of children, and young beginners. / / At first set foorth by M. Withals, with phrases both rythmical and proverbial: recognized, by Dr. Euans; after by Abr. Fleming: and then by William Clerk. ; And now at this last impression enlarged with an encrease of words, sentences, phrases, epigrams, histories, poeticall fictions, and alphabeticall prouerbs; with a compendious nomenclator newly added at the end. All composed for the ease, profit, and delight of those that desire instruction, and the better perfection of the Latine tongue |
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Pubbl/distr/stampa |
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Printed at London, : by Thomas Purfoot., 1616 |
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Descrizione fisica |
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Altri autori (Persone) |
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EvansLewis <fl. 1574.> |
FlemingAbraham <1552?-1607.> |
ClerkWilliam <fl. 1599-1608.> |
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Soggetti |
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Latin language - English |
English language - Latin |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Originally published in 1553 as: A shorte dictionarie for yonge begynners--Cf. STC (2nd ed.) 25874. |
Signatures: A(-A₁)⁸-2R⁸. |
Signatures: [par.]⁶ (1st leaf blank?) A⁸ B-2H⁶ I⁴ 2K-4S⁶ 4T⁴ 4V-4Y⁶ 4Z⁸ 4Z⁸ [sic] 4Z⁶ (- 1 leaf?) 5A-5T⁶ 5V⁴. |
Imperfect: stained and faded; last two leaves torn, with loss of page numbers. |
Reproduction of original in: National Library of Wales. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910483424503321 |
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Autore |
Ionica Cristina |
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Titolo |
The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction : Revolutionary and Evolutionary Paradoxes / / by Cristina Ionica |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
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ISBN |
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Edizione |
[1st ed. 2020.] |
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Descrizione fisica |
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1 online resource (xi, 286 pages) |
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Collana |
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New Interpretations of Beckett in the Twenty-First Century, , 2945-6800 |
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Disciplina |
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Soggetti |
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Literature, Modern - 20th century |
European literature |
Drama |
Theater - History |
Fiction |
Twentieth-Century Literature |
European Literature |
Contemporary Theatre and Performance |
Fiction Literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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1. Introduction to Beckett's "Absurdist" Excess -- Part I Contagion and Accessibility: Revolutionary Beckett -- 2. Repetition, Deliberation, and an Other Power: The Paradox as Practice -- 3. The Liberating Laughter of "Nearly There": Beckett's Solidarity-Building Dramas -- 4. Under-the-Radar Derision and Anger: Becoming Revolutionary in/ through Beckett's Fiction -- Part II Script Evaluation and Enrichment: Evolutionary Beckett -- 5. Beckett's "Script Multiplication and Enrichment": Rejecting Toxic Disjunctions and Seeking Inclusivity -- 6. Evaluation, Expulsion, Expansion, and Reframing: Building Processing Speed and Tolerance to Cognitive Strain -- 7. Conclusion. |
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Sommario/riassunto |
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The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction: Revolutionary and Evolutionary Paradoxes theorizes the revolutionary and evolutionary import of Beckett's works in a global context defined by increasingly ubiquitous and insidious mechanisms of capture, exploitation, and repression, alongside unprecedented demands for high-volume information-processing and connectivity. Part I shows that, in generating consistent flows of solidarity-based angry laughter, Beckett's works sabotage coercive couplings of the subject to social machines by translating subordination and repression into processes rather than data of experience. Through an examination of Beckett's attack on gender/ class-related normative injunctions, the book shows that Beckett's works can generate solidarity and action-oriented affects in readers/ spectators regardless of their training in textual analysis. Part II proposes that Beckett's works can weaken the cognitivedominance of constrictive "frames" in readers/ audiences, so that toxic ideological formations such as the association of safety and comfort with simplicity and "sameness" are rejected and more complex cognitive operations are welcomed instead-a process that bolsters the mind's ability to operate at ease with increasingly complex, malleable, extensible, and inclusive frames, as well as with increasing volumes of information. |
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