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1. |
Record Nr. |
UNISA996387075503316 |
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Autore |
Robinson Richard |
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Titolo |
A golden mirrour conteining certaine pithie and figuratiue visions prognosticating good fortune to England and all true English subiectes, with an ouerthrowe to the enemies : whereto be adioyned certaine pretie poemes written on the names of sundrie bot |
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Pubbl/distr/stampa |
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England, : Printed by Roger Ward for Iohn Proctor, and are to be solde at his shop vpon Holborne Bridge |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910465677703321 |
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Autore |
Cohen Suarez Ananda |
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Titolo |
Heaven, Hell, and Everything in Between [[electronic resource] ] : Murals of the Colonial Andes / / Ananda Cohen Suarez |
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Pubbl/distr/stampa |
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Austin, Texas : , : University of Texas Press, , 2016 |
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©2016 |
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ISBN |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (305 pages) : illustrations, photographs |
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Collana |
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Recovering languages and literacies of the Americas Mellon Foundation Initiative |
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Disciplina |
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Soggetti |
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Art - Political aspects - Andes Region - History |
Art and society - Andes Region - History |
Indians of South America - Andes Region - Religion |
Indians of South America - Andes Region - Antiquities |
Indian mural painting and decoration - Peru (Viceroyalty) |
Indian mural painting and decoration - Andes Region |
Electronic books. |
Spain Colonies America |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Introduction -- The painted walls of the Andes : chronology, techniques, and meanings -- The road to hell is paved with flowers : journeys to the afterlife at the church of Andahuaylillas -- Clothing the architectonic body : textile murals of the seventeenth and eighteenth centuries -- Turning the Jordan river into a pacarina : murals of the baptism of Christ at the churches of Urcos and Pitumarca -- Earthly violence/divine justice : Tadeo Escalante's urals at the church of Huaro -- Conclusion. |
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