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1. |
Record Nr. |
UNISA996385021703316 |
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Titolo |
The Bible [[electronic resource] ] : Translated according to the Ebrew and Greeke, and conferred with the best translations in diuers languages. With most profitable annotations vpon all the hard places, and other thinges of great importance, as may appeare in the epistle to the reader. Whereunto is added the Psalter of the common translation agreeing with the booke of Common prayer |
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Pubbl/distr/stampa |
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Imprinted at London, : By Christopher Barker, [1578] |
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Descrizione fisica |
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[34]; 376; 78; [2], 113; [11] leaves |
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Altri autori (Persone) |
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WhittinghamWilliam <d. 1579.> |
GilbyAnthony <ca. 1510-1585.> |
SampsonThomas <1517?-1589.> |
CranmerThomas <1489-1556.> |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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The Geneva version, translated by William Whittingham, Anthony Gilby, Thomas Sampson, and perhaps others. Includes the Book of common prayer; with the Geneva and Great Bible versions of the Psalms in parallel columns. Some copies have cancel slip pasted over the imprint on the general title page adding: "printer to the Queenes Maiestie" after Barker's name--Cf. STC. |
With an excerpt from the Book of common prayer, collating b4-6, c-d⁶ e⁴. |
Includes indexes. |
The Apocrypha has separate foliation and register; "The Newe Testament of our Lord Iesus Christ" has separately dated title page, foliation, and register. |
Signatures: [3 star]⁶ a-d⁶ e⁴ A-2Z⁶ 3A-3Q⁶ 3R⁴ A-N⁶ pi² ² 2A-2T⁶ *⁶ **⁴. |
Imperfect; lacks [3 star]1, [3 star]6, and all after leaf 108 of the New Testament. |
Reproduction of the original in the University of Illinois (Urbana-Champaign Campus). Library. |
Title page and other preliminaries and leaf 105 ff. of New Testament |
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from British Library copy filmed at end. |
Imprint date from STC. |
Cum gratia [and] privilegio. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910819749403321 |
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Autore |
Wurtzler Steve J |
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Titolo |
Electric sounds : technological change and the rise of corporate mass media / / Steve J. Wurtzler |
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Pubbl/distr/stampa |
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New York, : Columbia University Press, c2007 |
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New York, N.Y. : , : Columbia University Press, , 2007 |
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ISBN |
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Descrizione fisica |
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1 online resource (xi, 393 pages) : illustrations |
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Collana |
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Disciplina |
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Soggetti |
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Mass media - Technological innovations - United States - History - 20th century |
Mass media - Ownership - United States - History - 20th century |
Sound - Recording and reproducing - History - 20th century |
Mass media and history - United States |
Radio - History |
Phonograph - History |
Motion pictures - History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [291]-366) and index. |
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Nota di contenuto |
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Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Technological Innovation and the Consolidation of Corporate Power -- 2. Announcing Technological Change -- 3. From Performing the Recorded to Dissimulating the Machine -- 4. Making Sound Media Meaningful Commerce, Culture, Politics -- 5. Transcription Versus Signification Competing: Paradigms for Representing with Sound -- Conclusions/Reverberations -- Notes -- Index -- Back matter |
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Sommario/riassunto |
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Electric Sounds brings to vivid life an era when innovations in the |
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production, recording, and transmission of sound revolutionized a number of different media, especially the radio, the phonograph, and the cinema. The 1920's and 1930's marked some of the most important developments in the history of the American mass media: the film industry's conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework on which U.S. communications policy continues to be based, the development of several powerful media conglomerates, and the birth of a new acoustic commodity in which a single story, song, or other product was made available to consumers in multiple media forms and formats. But what role would this new media play in society? Celebrants saw an opportunity for educational and cultural uplift; critics feared the degradation of the standards of public taste. Some believed acoustic media would fulfill the promise of participatory democracy by better informing the public, while others saw an opportunity for manipulation. The innovations of this period prompted not only a restructuring and consolidation of corporate mass media interests and a shift in the conventions and patterns of media consumption but also a renegotiation of the social functions assigned to mass media forms. Steve J. Wurtzler's impeccably researched history adds a new dimension to the study of sound media, proving that the ultimate form technology takes is never predetermined. Rather, it is shaped by conflicting visions of technological possibility in economic, cultural, and political realms. Electric Sounds also illustrates the process through which technologies become media and the ways in which media are integrated into American life. |
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