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Record Nr. |
UNISA996383762203316 |
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Autore |
Paine Thomas |
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Titolo |
An Answer to the French declaration [[electronic resource]] |
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Pubbl/distr/stampa |
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London, : Printed for the author, 1665/6 |
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Paris : , : Printed in the second year of the French republic, , 1794 |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Anglo-Dutch War, 1664-1667 |
Political poetry, English |
Broadsides17th century.England |
Great Britain History George III, 1760-1820 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Verse: "The Heavens look big with wonder, and informe ..." |
Reproduction of original in the British Library. |
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2. |
Record Nr. |
UNINA9910786525303321 |
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Autore |
Davis Kimberly Chabot <1968-> |
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Titolo |
Beyond the white negro : empathy and anti-racist reading / / Kimberly Chabot Davis |
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Pubbl/distr/stampa |
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Urbana, Illinois : , : University of Illinois Press, , 2014 |
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©2014 |
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ISBN |
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0-252-07994-9 |
0-252-09631-2 |
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Descrizione fisica |
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1 online resource (273 p.) |
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Disciplina |
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Soggetti |
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White people - United States - Attitudes |
Anti-racism - United States |
African American arts - Influence |
Empathy |
United States Race relations |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction: cross-racial empathy: viewing the White self through Black eyes -- Wiggers or White allies? White hip-hop culture and racial sincerity -- Oprah, book clubs, and the promise and limitations of empathy -- Reading race and place: Boston book clubs and post-soul fiction -- Deconstructing White ways of seeing: interracial-conflict films and college-student viewers -- Conclusion: Black cultural encounters as a catalyst for divestment in White privilege. |
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Sommario/riassunto |
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Critics often characterize white consumption of African American culture as a form of theft that echoes the fantasies of 1950s-era bohemians, or 'White Negroes,' who romanticized black culture as anarchic and sexually potent. In this work, Kimberly Chabot Davis claims such a view fails to describe the varied politics of racial crossover in the past fifteen years. Davis analyzes how white engagement with African American novels, film narratives, and hip-hop can help form anti-racist attitudes that may catalyze social change and racial justice. |
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