1.

Record Nr.

UNISA996379043903316

Titolo

Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault

Pubbl/distr/stampa

Amsterdam : , : Amsterdam University Press, , [2017]

©2017

ISBN

90-485-2527-6

Descrizione fisica

1 online resource (264 pages)

Collana

Film theory in media history

Disciplina

791

Soggetti

Performing Arts

Filmtheorie

Technology in motion pictures

Technology in motion pictures - History

History

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Machine generated contents note: ; Section I Experience -- ; 1. When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Charles Musser -- ; 2. Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Jan Olsson -- ; 3. Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Andre Habib -- ; 4. Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Dana Cooley -- ; Section II Study -- ; 5. Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / David Colangelo -- ; 6. Film Analysis and Statistics: A Field Report / Charles O'Brien -- ; 7. A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Paul Moore -- ; Section III Theory -- ; 8. Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Tom Gunning -- ; 9. Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / Vinzenz Hediger -- ; 10. On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology



in Cinema / Benoit Turquety.

Sommario/riassunto

"This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger."--Publisher website