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1. |
Record Nr. |
UNISA996336185603316 |
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Titolo |
Law office computing |
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Pubbl/distr/stampa |
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Costa Mesa, CA, : James Pub., ©1991- |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Law offices - United States - Automation |
Law offices - Automation |
LAW |
COMPUTER SOFTWARE |
Cabinets d'avocat - États-Unis - Automatisation |
Micro-ordinateurs |
Periodicals. |
United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Periodico |
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Note generali |
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Title from cover. |
Issue for winter 1991 called also: Premier issue. |
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2. |
Record Nr. |
UNINA9910969158603321 |
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Autore |
Krebs Harald <1955-> |
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Titolo |
Fantasy pieces : metrical dissonance in the music of Robert Schumann / / Harald Krebs |
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Pubbl/distr/stampa |
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New York, : Oxford University Press, 1999 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references (p. 275-281), glossary, list of cited works, and index. |
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Nota di contenuto |
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Nineteenth- and twentieth-century theories of metrical conflict -- Metrical consonance and dissonance : definitions and taxonomy -- Intermezzo I: Influences on Schumann's metrical style -- Metrical progressions and processes -- Intermezzo II: Metrical revisions -- Interactions of metrical dissonance with pitch structure, form, nd extramusical elements -- Intermezzo III: Performing metrical dissonances -- Carnaval des analyses -- Epilogue: Morning song. |
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Sommario/riassunto |
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This book presents a theory of metrical conflict and applies it to the music of Schumann, thereby placing the composer's distinctive metrical style in full focus. It describes the various categories of metrical conflict that characterize Schumann's work, investigates how states of conflict are introduced and then manipulated and resolved in his compositions, and studies the interaction of such metrical conflict with form, pitch structure, and text. Throughout the text, Krebs intersperses his own theoretical assertions with Schumannesque dialogues between Florestan and Eusebius, who comment on the theory at hand while also discussing and illustrating relevant aspects of "their" metrical practices. |
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