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1. |
Record Nr. |
UNINA9910465696703321 |
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Autore |
Rawlings Louis |
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Titolo |
The ancient Greeks at war [[electronic resource] /] / Louis Rawlings |
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Pubbl/distr/stampa |
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Manchester ; ; New York, : Manchester University Press, 2007 |
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ISBN |
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1-78170-083-4 |
1-84779-153-0 |
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Descrizione fisica |
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1 online resource (273 p.) |
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Disciplina |
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Soggetti |
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Military art and science - Greece - History - To 500 |
Armies - Greece |
Electronic books. |
Greece History, Military |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [228]-244) and index. |
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Nota di contenuto |
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Copyright; Contents; Acknowledgements; Abbreviations; Introduction; Chapter 1 War and peace in ancient Greece; Chapter 2 Early Greek warfare; Chapter 3 The makers of war; Chapter 4 The patterns of war; Chapter 5 Battlefield engagements in the age of the hoplite; Chapter 6 Naval warfare; Chapter 7 Siege warfare; Chapter 8 War and economy; Chapter 9 War and religion; Chapter 10 War, the individual and the community; Conclusion The ancient Greeks at war; Bibliography; Index. |
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Sommario/riassunto |
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The ancient Greeks experienced war in many forms. By land and by sea, they conducted raids, ambushes, battles and sieges; they embarked on campaigns of intimidation, conquest and annihilation; they fought against fellow Greeks and non-Greeks.Drawing on a wealth of literary, epigraphic and archaeological material, this wide-ranging synthesis looks at the practicalities of Greek warfare and its wider social ramifications. Alongside discussions of the nature and role of battle, logistics, strategy, and equipment are examinations of other fundamentals of war: religious and economic factors. |
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2. |
Record Nr. |
UNISA996328036803316 |
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Titolo |
Renaissance Futurities : Science, Art, Invention / / Charlene Villaseñor Black, Mari-Tere Álvarez |
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Pubbl/distr/stampa |
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Berkeley, CA : , : University of California Press, , [2019] |
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©2019 |
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ISBN |
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Descrizione fisica |
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1 online resource (x, 238 pages) : illustrations; digital file(s) |
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Disciplina |
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Soggetti |
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ART / History / Renaissance |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"This publication is openly available online thanks to the generous support of Arcadia, a charitable fund of Lisbet Rausing and Peter Baldwin" -- Publication details. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. The Future is Now: Reflections on Art, Science, Futurity -- 1. Moon Shot: From Renaissance Imagination to Modern Reality -- 2. Machines in the Garden -- 3. Inventing Interfaces: Camillo's Memory Theater and the Renaissance of Human-Computer Interaction -- 4. Futurities, Empire, and Censorship: Cervantes in Conversation with Ovid and Orwell -- 5. Anticipating the Future: Leonardo's Unpublished Anatomical and Mathematical Observations -- 6. Medicine as a Hunt: Searching for the Secrets of the New World -- 7. The Half-Life of Blue -- 8. 'Ingenuity' and Artists' Ways of Knowing -- Notes -- Bibliography -- Contributors -- Index |
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Sommario/riassunto |
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At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Renaissance Futurities considers the intersections between artistic rebirth, the new science, and European imperialism in the global early modern world. Charlene Villaseñor Black and Mari-Tere Álvarez take as inspiration the work of Renaissance genius Leonardo da Vinci (1452-1519), prolific artist and inventor, and other polymaths such as philosopher Giulio "Delminio" Camillo (1480-1544), physician and naturalist Francisco Hernández de Toledo (1514-1587), and writer |
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Miguel de Cervantes (1547-1616). This concern with futurity is inspired by the Renaissance itself, a period defined by visions of the future, as well as by recent theorizing of temporality in Renaissance and Queer Studies. This transdisciplinary volume is at the cutting edge of the humanities, medical humanities, scientific discovery, and avant-garde artistic expression. |
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