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Record Nr. |
UNINA9910670797403321 |
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Autore |
Lacasa María Ángeles Longás |
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Titolo |
Historia de la Biblioteca de la Universidad de Mallorca (1767-1829) / / María Ángeles Longás Lacasa |
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Pubbl/distr/stampa |
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Universidad Carlos III de Madrid. Figuerola Institute of Social Science History, 2015 |
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Madrid : , : Universidad Carlos III de Madrid, , 2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (437 pages) : digital, PDF file(s) |
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Collana |
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Historia de las Universidades ; ; 37 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Sommario/riassunto |
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El objeto de este libro ha sido estudiar la primera biblioteca que tuvo la Universidad de Mallorca, formada con las que establecieron los Jesuitas en los colegios de Montesión y San Martín de Palma y San Ignacio de Pollença. Fue una biblioteca universitaria abierta a todo estudioso que la quiso consultar, por tanto estamos en los orígenes de la lectura pública en Mallorca. El tema central es la biblioteca, sobre la que giran los acontecimientos históricos, en un contexto inmediato, traslado de libros, organización, inventario, acondicionamiento de espacios, actuación de los miembros del claustro universitario, y aquellos que van ocurriendo en el ámbito que la envuelve, la ciudad de Palma, enmarcados en las ideas de la Ilustración. La acotación cronológica se sustenta en dos años importantes para la vida universitaria mallorquina: 1767, por la expulsión de los Jesuitas, y 1829, por la real orden de supresión de la Universidad. La investigación se ha fundamentado en fuentes documentales conservadas en archivos históricos de Palma y Madrid. Los resultados obtenidos están organizados sobre un hilo cronológico que nos permite estudiar la evolución de la Universidad, desde un punto de vista institucional, en su etapa final de la mano de su biblioteca---The purpose of this book was to study the first university library of Majorca, which was formed by the union of the libraries that Jesuits had established in the schools of |
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Montesión and San Martín in Palma and San Ignacio in Pollença. It was a university library opened to everybody, therefore we are at the origins of public reading in Majorca. The main subject is the library, its organization, transfer of books, inventory, space conditioning, performance of the members of the faculty and the events that happen in the city of Palma, framed by the Enlightment. The chronological dimension is based on two important years for Majorcan university life: 1767 (expulsion of the Jesuits) and 1829 (royal order of suppression of the university). The research has been based on documentary sources preserved in historical archives of Palma and Madrid. The results obtained are organized on a chronological thread that allows us to study the evolution of the university, from an institutional point of view, in its final stage through the history of the library. |
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2. |
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UNISA996312638103316 |
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Autore |
de Kloet Jeroen |
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Titolo |
Boredom, Shanzhai, and Digitisation in the Time of Creative China / / Yiu Fai Chow, Jeroen de Kloet, Lena Scheen |
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Pubbl/distr/stampa |
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Amsterdam, : Amsterdam University Press, 2019 |
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Amsterdam : , : Amsterdam University Press, , [2019] |
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©2019 |
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ISBN |
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Descrizione fisica |
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Collana |
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Classificazione |
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Disciplina |
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Soggetti |
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The arts: general issues |
Industrial / commercial art & design |
China |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Table of Contents -- Acknowledgments -- I. Introduction: We Must Create? / Scheen, Lena / Fai, Chow Yiu / Kloet, Jeroen de -- II. 'Creative China' and Its Potential to Problematise Western- Modern-Romantic Ideologies of Creativity / Wilf, Eitan -- |
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Section 1: Boredom -- Essays -- 1.1 Create No More! Clutter and Boredom, a Hong Kong Perspective / Coppoolse, Anneke -- 1.2 Combating the Boredom of Traditional Performing Arts? The Case of Muyuge / Cuiyan, Wen -- Interlocuting -- 1.3 You Must (Not) Be Bored! Boredom and Creativity in Global Capitalism / Peeren, Esther -- 1.4 Boredom and Creativity in the Era of Accelerated Living / Lindner, Christoph -- Notes from the Field -- 1.5 Evaporating Ennui Water Calligraphy in Beijing / Vermeeren, Laura -- 1.6 Male Cinderella on the Small Screen in mainland China / Hao, Li -- In Dialogue -- 1.7 'Performativity' in the Age of Banality / Shing, Kung Chi / Ng, Kingsley / Shan, Lo Yin -- Section 2: Shanzhai -- Essays -- 2.1 New Productive Culture Shanzhai or Second Degree of Creation? / Yin, Yiyi / Fung, Anthony -- 2.2 Creative 'Shanzhai Labour'? Leung Mee-ping's 'Made in Hong Kong/Shenzhen' / Ho, Louis -- 2.3 Maoism and Disruptive Creativity Shanzhai - an Alternative Perspective / Yuefan, Xiao -- Interlocuting -- 2.4 'Isn't that funny?' The Unsettling Effect of Shanzhai Products / Scheen, Lena -- 2.5 Shanzhai = Creativity, Creativity = Shanzhai / Landsberger, Stefan -- Notes from the Field -- 2.6 Bringing the Chinese Dream to the U.S. A Curatorial Practice in Art Education / Fan, Feng -- 2.7 'Banal Creativity' What Does It Mean to Be Creative for Hunan TV Practitioners? / Nauta, Arjen -- In Dialogue -- 2.8 Two sides of SZ (Shanzhai & Shenzhen) / Chunru, Deng / Dai, Dai / Shan, Lo Yin -- Section 3: Digitisation -- Essay -- 3.1 Creativity, Affordances, and Chinese Traditional Culture / Keane, Michael -- Interlocuting -- 3.2 Digital Payment, Vernacular Creativity, and Governmentality / Siyu, Chen -- 3.3 Shopping 'Natural' and 'Local' food as Everyday Resistance Digitisation, Platformisation, and Online Retail of Rural Products / Guohua, Zeng / Guohua, Zeng -- Notes from the Field -- 3.4 Participatory Art On-off a Digital Platform A Mobius Strip: On Cyber Nails in Curated Nails / Deng, Zoénie Liwen -- 3.5 Ongoing Digitisation and Independent Chinese Documentary A Field Report from Beijing 2015-2016 / Parry, Rowan -- In Dialogue -- 3.6 Digitisation with (in/out) Borders / Leung, Isaac / Fong, Janet / Shan, Lo Yin -- Index |
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Sommario/riassunto |
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With its emergence as a global power, China aspires to transform from "made in China" to "created in China". Mobilised as a crucial source for solid growth and "soft power," creativity has become part of the new China Dream. This anthology engages with the imperative of creativity by aligning it to three interrelated phenomena: boredom, shanzhai, and digitisation. How does creativity help mitigate boredom? Does boredom incubate creativity? How do shanzhai practices and the omnipresence of fake stuffs challenge notions of the original and authentic? Which spaces for expressions and contestations has China's fast-developing digital world of Weixin, Taobao, Youku and Internet Plus Policy opened up? Are new technologies serving old interests? Essays, dialogues, audio-visual documents and field notes, from thinkers, researchers, practitioners and policy-makers, contribute to explore, examine and problematize what is going on in China now, ultimately to tease out its implication to our understanding of "creativity". |
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3. |
Record Nr. |
UNIORUON00024033 |
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Autore |
KOTAE, Kunse |
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Titolo |
Ch'oson Ch'olhak Sasangsa Yongu / Kotae Kunse |
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Pubbl/distr/stampa |
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P'yongyang, : Sahoe Kwahak Ch'ulpansa, 1975 313 p. ; 21 cm |
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Classificazione |
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Soggetti |
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FILOSOFIA - Corea - Saggi |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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