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Record Nr. |
UNISA996309061903316 |
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Titolo |
Dialogue as a trans-disciplinary concept : Martin Buber's philosophy of dialogue and its contemporary reception / / edited by Paul Mendes-Flohr |
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Pubbl/distr/stampa |
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Berlin, Germany ; ; Munich, Germany ; ; Boston, Massachusetts : , : De Gruyter, , 2015 |
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©2015 |
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ISBN |
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3-11-040222-X |
3-11-040237-8 |
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Descrizione fisica |
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1 online resource (226 p.) |
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Collana |
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Studia Judaica, , 0585-5306 ; ; Band 83 |
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Classificazione |
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Disciplina |
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Soggetti |
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Dialogue - Philosophy |
Dialogue - Interdisciplinary aspects |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Front matter -- Table of Contents -- Introduction: Dialogue as a Trans-Disciplinary Concept / Mendes-Flohr, Paul -- A Philosophy of Dialogue / Habermas, Jürgen -- From Martin Buber's I and Thou to Mikhail Bakhtin's Concept of 'Polyphony' / Matveev, Julia -- Politics and Theology: The Debate on Zionism between Hermann Cohen and Martin Buber / Barash, Jeffrey Andrew -- Is Theopolitics an Antipolitics? / Brody, Samuel Hayim -- Bubers schöpferischer Dialog mit einer chassidischen Legende / HaCohen, Ran -- Religio Today: The Concept of Religion in Martin Buber's Thought / Kajon, Irene -- Martin Buber und das Christentum / Kuschel, Karl-Josef -- Dialogic Anthropology / Bilu, Yoram -- Jüdische Identität im Liminalen und das dialogische Prinzip bei Martin Buber / Kraft, Andreas -- The Influence of Martin Buber's Philosophy of Dialogue on Psychotherapy: His Lasting Contribution / Abramovitch, Henry -- Almost Buber: Martin Buber's Complex Influence on Family Therapy / Flashman, Alan J. -- Dialogic Memory / Assmann, Aleida -- Contributors -- Subject index |
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Sommario/riassunto |
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This volume of essays constitutes a critical evaluation of Martin Buber's concept of dialogue as a trans-disciplinary hermeneutic method. So conceived, dialogue has two distinct but ultimately convergent vectors. |
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The first is directed to the subject of one's investigation: one is to listen to the voice of the Other and to suspend all predetermined categories and notions that one may have of the Other; dialogue is, first and foremost, the art of unmediated listening. One must allow the voice of the Other to question one's pre-established positions fortified by professional, emotional, intellectual and ideological commitments. Dialogue is also to be conducted between various disciplinary perspectives despite the regnant tendency to academic specialization. In recent decades, an increasing number of scholars have come to share Buber's position to foster cross-disciplinary conversation, if but to garner, as Max Weber argued, "useful questions upon which he would not so easily hit upon from his own specialized point of view." Accordingly, the objective of this volume is to explore the reception of Buber's philosophy of dialogue in some of the disciplines that fell within the purview of his own writings: Anthropology, Hasidism, Religious Studies, Psychology and Psychiatry. |
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2. |
Record Nr. |
UNINA9910960916403321 |
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Autore |
Bradley Adam |
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Titolo |
The Poetry of Pop / / Adam Bradley |
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Pubbl/distr/stampa |
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New Haven, CT : , : Yale University Press, , [2017] |
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©2017 |
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ISBN |
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Descrizione fisica |
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1 online resource (425 pages) |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- INTRODUCTION -- Part I -- 1. LYRIC AND SONG -- 2. READING -- 3. LISTENING -- Part II -- 4. RHYTHM -- 5. RHYME -- 6. FIGURATIVE LANGUAGE -- Part III -- 7. VOICE -- 8. STYLE -- 9. STORY -- CONCLUSION -- Appendix -- Notes -- Acknowledgments -- Credits -- Index |
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Sommario/riassunto |
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From Tin Pan Alley to the Beatles to Beyoncé, ";Mr. Bradley skillfully breaks down a century of standards and pop songs into their elements to reveal the interaction of craft and art in composition and performance." (The Wall Street Journal) Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century rock 'n' roll to today's hits. George and Ira Gershwin's "Fascinating Rhythm." The Rolling Stones' "(I Can't Get No) Satisfaction." Rihanna's "Diamonds." These songs are united in their exacting attention to the craft of language and sound. Bradley shows that pop music is a poetry that must be heard more than read, uncovering the rhythms, rhymes, and metaphors expressed in the singing voice. At once a work of musical interpretation, cultural analysis, literary criticism, and personal storytelling, this book illustrates how words and music come together to produce compelling poetry, often where we least expect it. |
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